... conveys the message that when the morning comes it will be a time for them to part. Therefore, I ask, "aren't we all guilty at one point or another while in a love relationship of trying to convey a message to a loved one and they in turn have misinterpreted that message?" The poem begins "As virtuous men pass mildly away, And whispering their souls to go." Here the persona is trying to convey to his lover that she should deal with his leaving as though it is a death. Not a death in which she should be sad, but of a death of a man that was a very good human being who will go peacefully and calmly to heaven. Also, that she has nothing to fear because in actuality ...
... dying generations of their song." (1,2,3) Imortality hit you in the face start off these lines. It talks about old becoming young and birds and trees. This makes you think of spring and vegetation and animals and life. Yates uses vivified examples such as "An Aged Man is but a patty thing, a tattered coat upon a stick." (9,10) Yates is describing a scarecrow or what you might call death. He also talks about a maniacal bird in lines thirty and thirty-one. This is something that isn't dying and will go on forever. These two images life and death help insure the complexity of these poems. The images of life and death is also repesented in Keats "Ode on a Grecian ...
... through the "charter'd" streets, he is commenting on this commercial aspect of London. As he moves on in his poem he also refers to the "charter'd" Thames, he is telling us in this second line that even a river which is a force of nature, is owned in London. When Blake says that he sees "marks of weakness, marks of woe" in "every face" he meets, he means that he can see how this commercialism is affecting everyone rich and poor. Yet, despite the divisions that the word charter'd suggests, the speaker contends that no one in London, neither rich or poor, escapes a pervasive sense of misery and entrapment. The speaker talks of how in "every cry of every man" h ...
... in particular, saw Beowulf as cocky and vain, questioning, "Are you the Beowulf who competed with Breca...swollen with vanity..." So, while his cockiness was a flaw in the eyes of others, Beowulf saw it as self assurance and used it to his advantage. Beowulf also had a strong spirit of adventure. His spirit of adventure was part of the reason that Beowulf went to fight Grendel. Beowulf's strength and spirit of adventure had also led him to glory in many battles, including that with Grendel. Beowulf used his glory in previous battles to justify himself when coming to help Hrothgar. In addition, his self assurance, and known bravery probably guided his de ...
... above love to be loved, and yet/ Those lovers scorn whom that love doth possess?” (line 13-14). Sir Philip Sideney believes that the answers to these questions can be found out from the moon, for the moon is omniscient. He further believes that the moon “can judge of love”, and can solve his love troubles, as a “ lozenge of love” (Sad Steps, line 11) would. Sir Philip Sidney's attitude toward the moon is quite serious, which is also the tone of the essay. He takes the moon very seriously, as if it were divine. He adds character to the moon, as if it were a person. He describes the moon's “love acquainted eyes” (line 5) and remarks how “wa ...
... a panicked England's very eyes, replaced by the vision of a cold, mechanistic universe that cared little for our existence. Alfred, Lord Tennyson was painfully aware of the implications of such a universe, and he struggled with his own doubts about the existence of God. We glimpse much of his struggles in the poem In Memorial A. H. H., written in memory of his deceased friend, Arthur Hallam. The poem seemed to be cathartic for Tennyson, for through its writing he not only found an outlet for his grief over Hallam's death, but also managed to regain the faith which seemed at times to have abandoned him. Tennyson regained and firmly reestablished his faith th ...
... blows that a life of self-control/Spares to strike for the common good/That day, giving a loose to my soul,/I spent on the unimportant wood." The narrator refers to releasing his suppressed anger not upon evils that threaten "the common good", but upon the "unimportant wood". The appparent arrogance of the narrator is revealed as well by his reference to himself as a Herculean figure standing not alongside nature, but over it: "The grip on earth of outspread feet,/The life of muscles rocking soft/And smooth and moist in vernal heat." Unexpectedly, the narrator then turns toward nature, apparently abandoning his initial train of thought. He reveals the unpred ...
... words: The time you won your town the race We chaired you through the market place; Man and boy stood cheering by, And home we brought you shoulder-high. (Housman 967). Stanza two describes a much more somber procession. The athlete is being carried to his grave. In Leggett's opinion, "The parallels between this procession and the former triumph are carefully drawn" (54). The reader should see that Housman makes another reference to "shoulders" as an allusion to connect the first two stanzas: Today, the road all runners come, Shoulder high we bring you home, And set you at the threshol ...
... of each line, while the sentences end at each quatrain. The rhyme scheme is consistent throughout the piece and each line rhymes with every other line. For example, in the first line ‘whiskey on your breath’ rhymes with ‘but I hung on like death’ on the third line. The words breath and death are dominant words that reveal a somber tone, which runs throughout the piece. In the second line, the words ‘dizzy’ and ‘easy’ are paired as sight rhymes. Although the rhyme scheme is entertaining, the late night waltz between father and son is serious. The poem is told by a boy who remembers waltzing with his father. The first stanza reveals that the father ha ...
... in education opportunities (Granner, 616). One major downfall and factor of the twentieth century was World War I. This was had pulled up new roots that were "buried in the past," causing multiple conflicts between nations (Granner, 611). The war reflects the bitterness and troubles put on twentieth century poetry. The poets wrote of science fiction, anti-war protagonists, and ridicule of authority. Leading poets in the twentieth century are D.H. Lawrence, James Joyce, Joseph Conrad, Dylan Thomas, and H.G. Wells. D.H. Lawrence views on nature are more humanistic, rather than natural. He loves individuality and "inner self" (Magill, 1686). His writing were pure ...
