... considered abstractly, and without the apologies arising from his situation, seems to him fully entitled to command our feelings, and to obtain our applause. One bar, indeed, his birth and education have opposed to his fame, the language in which most of his poems are writtin. Even is Scotland, the provincial dialect which Ramsay and he have used is now read with a difficulty which greatly damps the pleasure of the reader: in England it cannot be read at all, without such a constant reference to a glossary, as nearly to destroy that pleasure. As Mackenzie states: "The power of genius is not less admirable in tracting the manners, than in painting the passion ...
... duties to be fullfilled for that the Angel told him that it would be alright when the time comes. In the second poem from “Songs of Experience”, the boys viewpoint on religion changes. His optimistic view has changed into a dissapointed grudge towards God and the heavens. He has come to the harsh reality that being a child in a profession where help is needed, because the child can not help himself, God has let him down since he has not released him and the other boys from their coffins of black. He reveals this to the reader in the last stanza of “Songs of Experience” when he makes his parents think that he is still happy. Therefore they forget about t ...
... of how she went to bed and regrets of not looking more clearly before “rest she took”(ln 1). She is awaken by shrieks of fire that is not aroused by any man. As she sees the light of the fire at the beginning of stanza two, she comes to a sharp realization about what is happening and says a quick prayer to God to save her comfort, and what, at the time, she considers her “life”. As she leaves her house in stanza three, taking one last look she realizes that all that was giving to her from God and now he takes what belongs to him. Stanza four and five show how she does treasure the material things, as does most people. Her thoughts and feelings expressed ...
... too spiritual for his own peace. A shaman, unstuck in time. A stroke of genius and a slap in the face of this world. Always restless, searching for answers. Impulsive and inspired, writing down his thoughts. Funny stories about Elvis and his followers, the Elvi, or dirty poetry. Painting his visions on sheets that hang from the eaves or painting me with psychedelic designs. It doesn't matter which. All of it makes me want him more. Some things I say to him are like sour notes played too often. I'm out of tune. He always sings along. Our waltz is better than most, I suppose. We know the steps by heart. The world moves quickly around us and our ...
... used the poet is saying that work is a ugly and repulsive entity, and its ugliness is contagious. A second interpretation of the word toad can be found from fairy tales. In these types of works the toad is often seen as something detestable on the exterior and yet of great value or beauty on the interior. An example of this is the toad that when kissed by the princess was turned into a prince. In order for the real identity of this amphibian to be realized, one must to get past the outer shell. In keeping with this explanation Larkin can also be seen as saying that work at first appear as a hideous and burdensome beast and yet after careful inspection and ac ...
... of hell. This rising from the underworld is summed up in the first line. It is later explained that he is doing so because he is tired of his ‘dark dominion." Ironically, the first line refers to Lucifer honorably, as a "Prince", while in the second line he is tagged as a fiend. This leaves the reader feeling perplexed, yet still thinking of Lucifer as the enemy. At first it may seem as Lucifer has risen to the Earth, but it is further clarified that he has elevated himself above the "rolling ball". However, god imagined the world as planar, with heaven on a higher plane, and hell on a lower plane, not spherical as defined here. From his place in the stars ab ...
... picture of life for women who find themselves under a dominating male figure. The passage seems to show that the speaker has reached a resolution after being kept under a man’s thumb all her life. In lines 71-80 the speaker compares her father and her husband to vampires saying how they betrayed her and drank her blood--sucking her dry of life. She tells her father to give up and be done, to lie back" (line 75) and in line 80, she says, "Daddy, daddy, you bastard, Plath’s attitude towards men is expressed in this passage through her imagery of the villagers stamping and dancing on the dead vampire. The speaker says "If I’ve killed one man, I’ve killed two ...
... ax, and that's all that matters to him. Also, in another work, frost writes about the beauty of nature. In the poem "The Road Not Taken ", the man has to make a decision at a fork in the middle of the road. He notices one road has been used many times and the other road looked hardly used "Because it was grassy and wanted wear"(8), he makes the choice to go down the one less traveled. This poem shows that nature can be beautiful by setting you free to letting you choice and to enjoy the view that nature has to offer. On the other hand, there are a few poems which show that Robert Frost was less in awe of nature and fearful of it. One of these is the poem "Design ...
... “In their last sleep the dead reign there alone,” and in line 66, referring to death and burial, Bryant writes, “And make their bed with thee.” This connection between death and sleep creates an intriguing metaphor which adds depth and meaning to the poem. By using this strange metaphor I believe Bryant wishes to suggest his faith in an afterlife. While examining the differences and similarities of death and sleep the reader is left with some very thought provoking questions. The answers to these questions reassure some readers while confusing others. Sleep is a time of rest. It allows preparation for the next day or event, and by relating this def ...
... to the state of London upon his return from France: ...(this was) written immediately after my return from France to London, when I could not but be struck...with the vanity and parade of our own country From this account it can be deduced that the poem was spontaneous in nature and originated from an internal response. The poem's use of a realistic setting occurs in line 2 with the reference of England as a "fen." This particular adjective e describes England as a "land wholly or partially covered by water, mud, clay, or dirt."(Oxford English Dictionary). From this line a realistic setting is produced. The ...
