... In “Mending Wall” we find the persona interrogating his neighbour as to whether a wall is necessary between them “If I could put a notion in his head”. Frost in this poem uses a simple rural activity, that is the mending of a wall, to conjure a much more universal theme that is isolation. The persona ponders at the fact why man can not live without walls, boundaries, limits and particularly self-limitations. “There where it is/ We do not need a wall”. Isolation of the individual links to our desire for barriers and boundaries as a form of separation from other people. We find in “Mending Wall” the desire of a rural farmer to mend a wall every s ...
... the curse of Cain with him. "He bore the curse of the seed of Cain/ Whereby God punished the grievous guilt of Abel's murder." Cain was the son of Adam and Eve and was the one who murdered Abel, his brother, out of a jealous rage for God's favor to Abel. This shows us that Grendel had more than just a dislike for the men, the song was showing Grendel that his ancestor was looked upon as the bad person and was therefore the underlying concept for Grendel's rage. This was the constant reminder to Grendel of his evil past and thus his reasoning for his actions. We learn to see Grendel as a less than human being, but in actuality, he is a monster who has a degree of ...
... passage conveys a resplendent physical sense of coldness as someone is frozen to death: "This is the Hour of Lead-- Remembered, if outlived, As Freezing persons, recollect the Snow-- First--Chill--then Stupor--then the letting go--" The innovative diction in this passage creates an eerie atmosphere all by itself. The effect of this passage is reminiscent of the famous macabre monologue at the end of Michael Jackson's Thriller. Dickenson also excellently portrays the restlessness of the mourners in this following passage: "The Feet, mechanical, go round-- Of Ground, or Air, or Ought--" Describing the feet as "mechanical" shows the agitation and displaceme ...
... half way through, Shakespeare changes and decides that the subject is better than a summer's day. The sonnet is essentially made up of two different parts, the first being the problem and the second part being an answer. The theme that Shakespeare has chosen is love and this theme works well with the sonnet format. The first half of this sonnet is written about how the subject is like a summer's day, for example: "Thou art more lovely and more temperate:" (line 2) and after line eight, Shakespeare concludes that the subject cannot be a summer's day because they are more beautiful and will last longer than summer itself. The sonnet form is suitable for thi ...
... mind…have I gazed upon the bars." At first, it appears he was very happy, "So sweetly, that they stirred and haunted me with a wild pleasure…" But as this paragraph progresses, he begins to show the loneliness in his life, "For still I hoped to see the stranger's face." Though his mood begins to change there still is a calm and somber feeling. In paragraph three, Colridge is holding his son, while appreciating nature and what it will give to his child, "it thrills my heart with tender gladness, thus to look at thee, and think that thou shalt learn for other lore…" He also shows his appreciation of God and what he has given us. This is the first para ...
... reality, the poet “says” he/she wants to be forgotten, but really he/she wants to be mourned for and remembered.. It’s almost like the poem is guilt ridden. The entire thing talks about forgetting the poet after he/she is dead and to not even speak the poet’s name. This repetiveness of forgetting the poet would really make the audience feel guilty, and make the audience feel obligated to mourn, which is the poet’s true intentions in writing this particular poem. This poem does contain some imagery reinforced by alliteration. The words, “surely sullen bell”. The sullen bell is a form of auditory imagery. It simulates bells chiming at a funeral ...
... over the choices she has made in the pursuit of her love.). In “Speaking of Poetry” states that it would not be enough to out wit the father for she still would end up smothered. Bishop says Othello is a barbarian and that he would have killed her any way, “For though Othello has his blood from Kings his ancestry was barbarous, his ways African his speech uncouth.” Dickinson implies how impossible their relationship was in the simple phrase, “Overlooked I all-”, this I interpret as how she ignored her senses. She knew it wouldn’t work yet chose to ignore her better judgement. Another thing that stands out is the styles that these are written in (e ...
... the turmoil of all this. His true affection for Ophelia found no bliss. He could never share his thoughts, Revenge made him overwrought. All this pain caused him to plot, He made the plan to end his lot. But this scheme avenging death, Took also Hamlet’s last breath. Hamlet should have taken heed, And become king indeed. He never had a chance in Shakespheare’s plan, A tragic hero, just another great dead man. ...
... and lusty creature, alone in a field, with only soft moss for comfort. The significance of the description is overwhelming. Whitman see's himself as a rude, closed-minded, and lusty person, who spends a considerable amount of time alone. However, Whitman views himself as a different person when he is in the company of his companion. With the live Oak representing Whitman, and the tender green Moss representing Whitman's companion, these two separate entities form one. Happy, loving, and open-minded, the love emanating from Whitman is a sign of true life. As the poem progresses on, Whitman uncovers the sadness of his life. Viewing praise as a hollow feeling, Whi ...
... have written a paragraph or more on. For example, "Shake hands forever, cancle all our vows" sums up very concisely the idea of the break being forever, with no possibility of a reconciliation, whilst also adding to the ease of understanding and therefore also to the meaning of the poem. Another constraint of the sonnet is the length of the lines themselves. In a sonnet, the rythem is always iambic pentameter, which means that there must always be ten syllables per line, with each second syllable being stressed. Where the author breaks this pattern, it must obviously be for a good reason, when the author wants a certain word or syllable to be stressed. This in i ...