... terrible pain that no human being should endure. Other words like writhing and froth-corrupted say precisely how the man is being tormented. Moreover, the phrase "blood shod" shows how the troops have been on their feet for days, never resting. Also, the fact that the gassed man was "flung" into the wagon reveals the urgency and occupation with fighting. The only thing they can do is toss him into a wagon. The fact one word can add to the meaning so much shows how the diction of this poem adds greatly to its effectiveness. Likewise, the use of figurative language in this poem also helps to emphasize the points that are being made. As Perrine says, people use metaph ...
... he worked, the harder he'd fall. When his sports were done he had nothing to do. He had all of the time in the world. "Why not study?" said his mom, cooking the stew. He thought of that during supper and hurled. His mother soon tired of the grades he brought home. She made him study each day after school. He was grounded from TV, and from the phone. He was shut in his room and force-fed gruel. His grades slowly improved, thanks to his mom. Although he didn't thank her at the time. He averaged all B's by the time of the Prom. He imagined that God had dropped him a sign. ...
... always two sides. I've learned - That it's taking me a long time to become the person I want to be. I've learned - That it's a lot easier to react than it is to think. I've learned - That you should always leave loved ones with loving words. It may be the last time you see them. I've learned - That you can keep going long after you think you can't. I've learned - That we are responsible for what we do, no matter how we feel. I've learned - That either you control your attitude or it controls you. I've learned - That regardless of how hot and steamy a relationsh ...
... been at all times remarkable" (667). However, his appearance deteriorated over time. Roderick had changed so much that "[the narrator] doubted to whom [he] spoke" (667). The narrator notes various symptoms of insanity from Roderick's behaviors: "in the manner of my friend I was struck with an incoherence -- an inconsistency...habitual trepidancy, and excessive nervous agitation...His action was alternately vivacious and sullen. His voice varied rapidly from a tremulous indecision...to that...of the lost drunkard, or the irreclaimable eater of opium" (667). These are "the features of the mental disorder of [the narrator's] friend" (672). Roderick's state worsens thro ...
... of the battlefield. Hardy says "...quaint and curious war is...you shoot a fellow down you'd treat if met where any bar is..." In this Hardy speaks how war twists the mind, and also makes you kill people you have no personal vendetta against. In Reconciliation, Whitman shows the devastation of war. In a war, you kill someone and even if you win, you lose. Whitman describes a man mourning over the death of his foe. He rejoices over the ultimate death of war "Beautiful that war and all its deeds of carnage must...be utterly lost." He also feels great remorse over his so called enemy's death "For my enemy...a man divine as myself is dead." He then shows his lov ...
... unity and makes it easy to read. "I Could Not Stop for Death" gives the reader a feeling of forward movement through the second and third quatrain. For example, in line 5, Dickinson begins death's journey with a slow, forward movement, which can be seen as she writes, "We slowly drove-He knew no haste." The third quatrain seems to speed up as the trinity of death, immortality, and the speaker pass the children playing, the fields of grain, and the setting sun one after another. The poem seems to get faster and faster as life goes through its course. In lines 17 and 18, however, the poem seems to slow down as Dickinson writes, "We paused before a House that se ...
... Son, Holy Spirit,) science (energy, matter, ether,) spiritualism (mind, body, spirit,) and psychiatry (superconscious, conscious, subconscious) to name but a few, while nine is the number of months in a human pregnancy (divided into three trimesters). Sevens also occur frequently: there are seven cardinal virtues; seven deadly sins; seven ages of man; seven days in a week and seven seals in the book of revelation. Although the range of emotions is spread between the poems, they do seem to follow a linear course as the sequence progresses. You’re begins with the persona (whom we can assume to be an expectant mother) talking to her foetus, and she believes that ...
... "a healthy ritual of joy from which we know he forever felt exiled". Shortly thereafter, Bundy left the bar and traveled to the Chi Omega sorority house where he watched from outside, entered, and then killed two girls and wounded two others. Just as Bundy had done, Grendel watched and surveyed from the distance. He waited outside the great hall, listening to the mirth and celebration from within. He hated them. The revelers inside felt no "misery of men." They were not uninvited, outcast, and below the social class of Hrothgar's company. These feelings of inadequacy propel Grendel to slaughter those who oppress him. For "twelve winters" he smashes bodies a ...
... Ta’u’ he draws on the famous legend of Maui: “like spinning tops or Maui’s endlessly / inventing mind.” (p110) Maui is an important part of Polynesian mythology; Maui is a demigod who is used to tell of many stories. There are also reflections of Polynesian cultural inheritances in Hone Tuwhare’s use of mythology in his poetry. Tuwhare was born in Kaikohe, and belongs to the Ngapuhi hapus Ngati Korokoro, Ngati Tautahi, Te Popoto, and Uri-O-Hau. In his poem ‘Papa-tu-a-nuku’, he uses Maori mythology. The title, ‘Papa-tu-a-nuku’, means ‘Earth Mother’, which is part of a number of nature’s elements that are personified in Maori mythology. Hens ...
... her better this way; in his complete control. The designer was a monk who perfectly captured her heartfelt expression in but one day, showcasing her for all eternity. He directs his guest to look upon the painting. There is limited access to the art since the duke keeps it covered by a curtain, and only permits those to his liking to look at her. He states that in the past, those he has let see the fresco, have asked where such an expression on her puss originated. He goes on to admit that it was not him alone that provided her with such joy, but perhaps it was flattery from the monk that caused her cheeks to redden. She must have misassumed a statemen ...
