... The tone of the poem turns reproachful, dark, as the clocks' chime tells of the world that is powerless before time. To say that " vaguely life leaks away," the author is possibly attempting to covey that every moment lost cannot be retrieved, that every second that goes by is a second closer to the death of the body and to the death of love. The images of the frozen, cracked landscapes, and the crack in the teacup are examples of lost, passed time. The verdant valleys shall always be sheathed in snow, they cannot resist; and the teacup, once cracked, cannot be mended. All that is left is the memory of that thing still whole, and even those fade with the unh ...
... legal institution. In comparison, the reader is the jury, the speaker of the poem is the lawyer, and, thinking more abstractly, the author, Robert Browning in this case, represents the case as a whole. The decision the jury must make between what is actually right and what the lawyers imply to be right is the same one the reader of a dramatic monologue must make. Browning's Dramatic Lyrics is a collection of poems in which many are written in dramatic monologue. "Porphyria's Lover" is a poem from Dramatic Lyrics critics often cite when explaining dramatic monologue. Because of it, the reader is pulled between what the speaker thinks is right and what really i ...
... among the ancient trees, Calling the lapsed Soul, And weeping in the evening dew; That might controll The starry pole, And fallen, fallen light renew! "O Earth, O Earth, return! "Arise from out the dewy grass; "Night is worn, "And the morn "Rises from the slumberous mass. "Turn away no more; "Why wilt thou turn away? "The starry floor, "The wat'ry shore, "Is giv'n thee till the break of day." The Chimney Sweeper (Innocence) When my mother died I was very young, And my father sold me while yet my tongue Could s ...
... the diphthong [oi] in oil creates a diffusion of sound around the mouth that physically spreads the oil sound around the passage. An interesting seepage can also be clearly seen when looking specifically at the words "oil-soaked", "oil-permeated" and "grease- impregnated". These words connect the [oi] in oily with the word following it and heighten the spreading of the sound. Moreover, when studying the [oi] atmosphere throughout the poem the [oi] in doily and embroidered seems to particularly stand out. The oozing of the grease in the filling station moves to each new stanza with the mention of these words: In the fourth stanza, "big dim doily", to the secon ...
... go or has gone. Poems have many ways they can be written. This poems is like how most people think poems are, rhyming and love. This poems has rhyming, repetition, a very lovely mood, some good visual imagery, and of course lines something that every poem has. I thought that the first and second line was very good visual imagery "written with a pen sealed with a kiss". It show how it really happened and was done. Through out the whole poems was a loved filled mood. Lines 13, 15, 16, and 19 all start with "I'll". Every words has something rhyming with it except the first and third line. Most of the rhyming is "you" and "true". This poems could be used for many met ...
... for someone to come and rip her clothing from her frozen body like she was a dead animal on the side of the side of the beach. The Native Americans were already here and the whites treated them like they were intruders on the whites’ land. This, in some ways, was like slavery. Slaves were not respected. They were treated like animals and they had no way to defend themselves. Their culture was not respected and if they even spoke one word of being treated like a citizen they could be killed on the spot. Whites brought black slaves over to the US like they were imported animals. Both the natives and the slaves were not noticed as a people. It was like the ...
... path, but can't see because of the undergrowth in the woods. Frost is saying that because the paths are so long he can't tell where they will end (Frost 84). "He looks down the other to be fair." "Frost thinks he would heave a better claim." Frost thinks he would do better if he took the one less traveled. "The paths are wanted wear." He is saying no matter what which one, he goes he will have to take a path (Frost 84). I should say this doubtfully because I know where I am going. "Two roads diverged in a wood, and I-I took the one less traveled by, And that has made all the difference." By taking this path Frost is saying he made the right choice to keep ...
... With no expression, nothing to express". Whiteness and blankness are two key ideas in this poem. The white symbolizes open and empty spaces. The snow is a white blanket that covers up everything living. The blankness symbolizes the emptiness that the speaker feels. To him there is nothing else around except for the unfeeling snow and his lonely thoughts. The speaker in this poem is jealous of the woods. "The woods around it have it - it is theirs." The woods symbolize people and society. They have something that belongs to them, something to feel a part of. The woods has its place in nature and it is also a part of a bigger picture. The speaker is so alo ...
... chance, or nature’s changing course, Untrimmed: But thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall death brag thou wander’st in his Shade, When in eternal lines to time thou growest: So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee. In the simplest terms possible, Shakespeare is saying that the woman of whom this poem speaks of is beautiful. But even more than that, the eloquence in which he expresses her beauty demonstrates that Shakespeare loves the woman he is addressing. In what seems almost a response to Shakespeare’s sonnet, Elizabeth B ...
... notion that men and women who die in battle also die in honor. Most of the men going off to fight during the World Wars could be classified as men at all. A person would be oblivious to this fact, however, if they relied on Owen's descriptive text alone concerning the way he saw his fellow soldiers in combat while describing his chimera, for they were "knock-kneed, coughing like hags"and "bent double, like old beggars under sacks". These words don't necessarily bring to mind a healthy 17-year old boy, does it? The other words he used- "drunk" "lame" and "blind,"- all showed soldiers' impaired state, and held both denotative meanings and connotative mea ...
