... of material possessions, health, and monopoly over one’s personal circumstances or those of another person. This ritual is performed until one feels satisfied, and/or has been led into spiritual contact with another realm. Another purpose of the chant is for one to feel a powerful being emerge within one’s soul, resulting in a god-like sensation for a short amount of time. In the novel, one can perceive that the hunting party’s vigorous chant ("Kill the beast! Spill her blood!") is one of their final retrogressions into savagery. Its repetitious, invigorating verse elates them, and when the procession finally ends, they behave in a trance-like, mystified d ...
... which he has thought often of his experience there. The third section specifies Wordsworth’s attempt to use nature to see inside his inner self. The fourth section shows Wordsworth exerting his efforts from the preceding stanza to the landscape, discovering and remembering the refined state of mind the abbey provided him with. In the final section, Wordsworth searches for a means by which he can carry the experiences with him and maintain himself and his love for nature. . In the first stanza, Wordsworth lets you know he is seeing the abbey for a second time by using phrases such as "again I hear," "again do I behold," and "again I see. He describes the ...
... and is believed to have been composed between 700 and 750. "No one knows who composed Beowulf , or why. A single manuscript (Cotton Vitellius A XV) managed to survive Henry VIII's dissolution of the monasteries, and the destruction of their great libraries; since his name is written on one of the folios, Lawrence Nowell, the sixteenth-century scholar, may have been responsible for Beowulf's preservation."(Raffel ix) An interesting fact that is unique about the poem is that "it is the sole survivor of what may have been a thriving epic tradition, and it is great poetry."(Raffel ix) The poem was composed and performed orally. "Old English bards, or scops, mo ...
... saw, he became the starving artist. Shakespeare wrote these dialogues in such a manner as to entertain both the Nobility, as well as the peasants. The Shakespearean theater is a physical manifestation of how Shakespeare catered to more than one social class in his theatrical productions. These Shakespearean theaters have a unique construction, which had specific seats for the wealthy, and likewise, a designated separate standing section for the peasants. This definite separation of the classes is also evident in Shakespeare's writing, in as such that the nobility of the productions speak in poetic iambic pentameter, where as the peasants spe ...
... feel that the city is fictious. The narrator also asks the readers "Now do you believe in them?"(879) Asking if the reader believes what the narrator says about the festival, city, and joy of the people of Omelas implies that the reader should have doubts. Can the narrator be trusted by a reader who is being asked to approve the details of the story? Such questions raise doubts in the reader’s mind about what the narrator is conveying. With the help of the reader, the narrator makes Omelas appealing to everyone. "Omelas sounds in my words like a city in a fairy tale, long ago and far away, once upon a time"(LeGuin 876). Omelas does sound too good to be ...
... different. In “A&P” by John Updike a young cashier named Sammy is very confused about the concept of life. In the beginning of the story Sammy is very passive and ignorant about life. His passiveness and ignorance are brought upon by his mother sheltering him during most of his life. Sammy compares himself to another cashier who works at the A&P, Stokesie. Stokesie is twenty-two and Sammy is nineteen. Sammy sees a reflection of himself when he looks at Stokesie because of his lack of ambition and wanting to become nothing more than a manager of the store. When Queeny comes into the store, showing all of her leadership abilities, he sees the tot ...
... daughters and she was spoiled by her old, affectionate father. Her mother had died when she was only a child and her sister, Isabelle, had married at an early age. This made her mistress of his house from a very early period. Emma’s self image is very strong and she is doubly pleased with her match-making skills, which turn out to be disastrous for her friend Harriet. Harriet Smith is a young girl of an unknown background, but she was a student at Mrs. Goddard’s School. Emma challenges herself to reform and refine Harriet. She becomes to aspire to see Harriet marry a person in a higher social station. Harriet is very pretty. She was "short, plump, and fair, wi ...
... was found, he told a story that no one would believe. “He gave such a strange account of himself that he was supposed demented (pg. 1).” So right from the beginning we do not know what to believe. Later in the story, Prendick is picked up by the Ipecacuanha. On this ship there are deformed and strange men riding with Montgomery. “He was, I could see, a misshappen man, short, broad and clumsy, with a crooked back, a hairy neck and a head sunk between his shoulders (pg. 10).” This is the first picture we get of the deformities from the island. During this time on the Ipecacuanha, Prendick is weak from exhaustion and in a state of confusion, which adds t ...
... of the transcendence of man, or the lack there of, into a focused view. Hop-Frog, the title character in Edgar Allen Poe's "Hop-Frog," is able to transcend the limitations of his physical body. Biologically Hop-Frog is nothing more than a freak of nature. Hop-Frog is a dwarf. His means of locomotion was that of an "interjectional gait---- something between a leap and a wiggle,"(482) and this motion was only afforded to him through "great pain and difficulty." Hop-frog's teeth are "large, powerful, and repulsive."(484) His arms, not in balance with his body, have a "prodigious power."(482) His arms so over compensated for his body he "resembled a squir ...
... his poem “Apology for Impatience”. Transforming from that of a poem about a relationship, to a poem intended as a farewell (or preventing a farewell) and an expression of the inexpressible lost love. The poem is free verse. Dawe uses the flow of the stanza’s to reflect the recurrent image of growth; this image is reinforced by the metaphors of plants and nature used in the poem. The stanzas seem to be heading nowhere, but they are always moving forward. This reflects the growth of the persona’s character and the growth of the love throughout the poem. “Beans, beans are climbing,” climbing is a metaphor for his love and for the development of his chara ...
