... highly interested. Patrick Henry uses biblical allusion when he states, "It is only in this way that we can hope to arrive at truth, and fulfill the great responsibility which we hold to God and our Country." Another rhetorical device that Henry uses well is imagery. A good example of Henry's imagery is, "The next gale that sweeps from the north will bring to our ears the clash of resounding arms!" Henry uses these and many more devices to keep the attention and the open mind of his audience who was mostly opposed to his viewpoint. These two speeches were much more different than they are alike. The main difference between the two speeches, in a general sense ...
... Siddhartha does the scourge, he does not find his salvation. He quests his torment, which is only escaped from the 'Self' for temporarily. Again, Siddhartha rejects and leaves the Samana ascetic knowledge. Siddhartha ends his knowledge quests: Brahminism, Samanic asceticism, and Buddhism. He turns to the use of his senses in finding his goal. His main goal is to be his 'Self'. His sense of 'being' is isolated by his knowledge. He realizes that he does not know his 'Self' which he has spent his life avoiding. He vows him self to explore the 'Self'. The second step of Siddhartha's journey is realizing that although he has knowledge, knowledge is not enou ...
... with the other suitors is in sheer competitiveness. He is eager to impress them and because of this, it makes him one of the most untrusting suitors in the book. To upset either Penelope or Telemakos would only jeopardize his chance at becoming the next husband. That is why the book shows Eurymakos behaving wisely to Penelope and son. On one hand, Eurymakos seems genuine to the needs of both Penelope and Telemakos. When Telemakos feels as if his home is in havoc, Eurymakos assures him that he himself is only interested in his mother and does not wish to consume the property. Eurymakos also tries to comfort Penelope when she fears her son is in danger ...
... to this Enobarbus speaks very freely of his view of Cleopatra, even if what he says is very positive: ...her passions are made of nothing but the finest part of pure love. We cannot call her winds and waters sighs and tears; they are greater storms and tempests than almanacs can report. This cannot be cunning in her; if it be she makes a shower of rain as well as Jove. (I, ii, 147-152) After Antony reveals that he has just heard news of his wife's death, we are once again offered an example of Enobarbus' freedom to speak his mind, in that he tells Antony to "give the gods a thankful sacrifice" (I.ii.162), essentially saying that Fulvia's death is a good thi ...
... attempt to convey that people in the future will be more concerned with themselves than the world as a whole. The second theme is the change away from traditional ways that occupies the speaker's mind. It is as though the traditional ways are a rope that the speaker feels is beginning to fray. As the rope of tradition frays, a new rope will be created (modernity) that provides a different route to climb through life. People will continue to climb the rope of tradition until only one strand of the rope is left to support the very few people left clinging to the old ways while the new rope continues to be strengthened allowing more people to climb it. In T.S. Eli ...
... valuable possessions” to the ship they are leaving on (52). This sentence implies that Alatiel is one of Pericone’s possessions. Alatiel is treated like property again when she is on the boat. Two men think that her “her love could be shared like merchandise or money” (52). Once she gets to a new destination the prince of Morea looks “for a way of possessing her” (53). He doesn’t and can’t win her love because they do not speak the same language. However, this doesn’t stop the prince. Alatiel doesn’t try very hard to stop any of these men’s advances. She is seen as a weak and fick ...
... of the soldiers of war. For example, after escaping the battle, Henry Fleming seeks refuge in the woods. He notices that the woods seal out the sound of battle and ignores the human conflict taking place: "It seemed now that nature had no ears"(34). Lastly, the positive outlook is the third characteristic of realism. Henry is overwhelmed with fear and abandons the war. Surprisingly, he escapes unscathed and later learns that his regiment had ended the battle victoriously. Although traits of realism are very evident, naturalism is the dominant technique used by Crane. Crane used naturalism to show Nature’s hostility towards man, to describe the pr ...
... face reality, especially Mrs. Alving, represented by the light. Fire is yet another symbol Ibsen uses. When Oswald comes downstairs with Alving’s pipe, he recalls an incident when he was given a pipe in his youth. Young Oswald smoked until he became sick. This is a foreshadowing of his illness, another sickness caused by careless actions. Another example of fire is seen when the orphanage, built in honor of Alving, is burned (287). The fire creates a symbolism that represents the truth, rising quickly and devouring all illusions. However, when the fire is extinguished, the fantasy world is up in smoke and all that remains are the painful ashes of the pa ...
... for stealing Lady Cunegonde's money and diamonds. Although he was a reverend that didn't make a bit of difference to the old women when she assumed he was the thief. She said that because the reverend slept in the same inn, and had been in their room that night, that he must have stolen the money and diamonds. The reverends affliction with the church did not phase her at all. Not surprisingly, it turns out that it is the Reverend Friar who stole Lady Cunegonde's money and diamonds. Another great example of Volatires prejudice is shown when Cacambo is talking to Candide about Paraguay. Cacambo is going on and on about how wonderful it is and how they have a ...
... the narrator is having dealing with middle age and the inhibition to communicate. There are several meanings in the poem that suggest this. Eliot uses the words, “And how should I begin?” and “How should I presume?” repetitiously. This shows the narrator is unconfident with himself mentally and physically. Lines 41 and 44, “(They will say: “How his hair is growing thin!”)”, and “(They will say: “But how his arms and legs are thin!”)” indicates he is terrified of what will happen if people see his balding head or his slim and aging body. He feels that people will think he is old and useless a ...
