... her coffee, and Hitchcock zooms onto the object as she slowly takes a sip. In a later scene, Mrs. Sebastian pours the coffee into the cup for Alicia, and sets it on a small table in front of her. Here, Hitchcock not only zooms in on the small teacup, but heightens the sound it makes connecting to the table, includes it in every shot possible, and shows us not only the full coffee cup, but the empty cup as well after Alicia has drank it. Again, the cup is zoomed in on after Alicia realizes she's being poisoned. Because the coffee is poisoned, the coffee itself becomes a metaphor for life and death, supported by the fact that the poisoner herself ours it, and ...
... play comes in act 3, scene 4 line 168 and is of Macbeth describing himself wading in a river of blood. When Macbeth says “I am in blood/ Stepped in so far that, should I wade no more, / Returning were as tedious as go o'er:” the extent of his guilt and mental deterioration becomes obvious. Macbeth tries to justify his evil by using the rationale that it is just as easy to continue the killing as it is to stop it. Macbeth seems to be fascinated with blood. In act 3, scene 4 the word blood is used 4 times in 6 lines (151-157). Although the blood imagery is used mostly to show Macbeth’s deranged state, lines such as “It will have blood, they say; blood will hav ...
... visits him. Though at this point these situations create plenty of reasons for Hamlet to be insane, he remains sharp and credible. “[Hamlet] concocts this state of madness...his intellect remains clear, his discourse sound and comprehensive,” (Harris, p. 129). Hamlet reveals to his friends and his mother of his plans to pretend act insane. He tells Horatio that he is going to "feign madness," and that if Horatio notices any strange behavior from Hamlet, it is because he is putting on an act. (I, v). Hamlet also tells his mother that he is not mad, "but mad in craft." (III, iv). In addition to his confessions, Hamlet's madness only manifests itself when ...
... house is an intellectual stimulus? hell no. TV is designed to be brain candy for the weak-minded and ignorant. The internet is more useful and I might add, stimulating. This is a medium in which you can interact and communicate with others instead of sitting on your ass drooling watching itchy and scratchy. There are honestly interesting sites available on this medium. I have heard people call television the "one-eyed monster", this simply suggests to me that this person is obviously poor-bred or simply ignorant. Television can be used to convey pornography, religion, drug use, love, or any other possible subject to be dealt with. The actual machine itself ...
... Hotspur reminds him of himself, when he challenged Richard for the throne. Hotspur is brave and valiant and has a good reputation with the people, whereas Hal compared with Richard does not care for the welfare of the country and spends his time entertaining himself with poor company. Hotspur has nothing but disrespect for Hal. During the play he calls him: 'the madcap Prince of Wales'. He thinks of Hal as an unworthy opponent. From Hotspur's point of view the only real opponent is King Henry, and yet it is Hal, 'the madcap of Wales', who vanquishes him in the end, much to his surprise and dismay. We are neither surprised nor dismayed by Hal's triumph be ...
... that some of the characters produce on each other shows that there is not a great deal of communication in the family. Throughout Act I, there were several more examples of characters yielding to others and not standing up for what they believe. For instance, when Lady Capulet brought up the idea of Juliet marrying Paris, Juliet just went along with the concept , even though that was possibly not what she wanted. An even more significant instance of such a thing occurring is the fact that Juliet feared to tell her parents that she had fallen in love with Romeo, a Montague. She knew that if she informed them of how she felt, they would get angry and maybe di ...
... questioned by Gertrude about his melancholy appearance Hamlet says, ÊSeems, madam? Nay it is. I know not ÈseemsiË (1.2.76). This is to say ÊI am what I appear to be.Ë Later he makes a clear statement about his state when he commits himself to revenge. In this statement the play makes an easy to follow shift. This shift consists of Hamlet giving up the role of a student and mourning son. Hamlet says, I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, That youth and observation copied there, And thy commandment all alone shall live Within the book and volume of my brain (1.5.99-103) Hamlet is declaring that he will b ...
... Sammy Sosa’s and Pamela Anderson’s of the “oh so important” cast of role models for the year 2000. Or maybe they might grab a few bulbs from the bottom of the Christmas tree and put them o top for a day. Both Jay and Dave will play host to some folks in the regular sectors of the world to display their talent, like sucking milk up their nose with a straw or the dog who can play basketball. The wide variety of guests and skits they use, try and hit their opponent with an “ I had them first uppercut”, still has no effect on the format of either show. Tonight’s guests include blah, blah, blah, and musical guest blah, blah, blah, along with blah, blah ...
... up and down the dark opposing diagonal. This whole scene is then placed on the mighty ocean to delineate the fact that the raft is a metaphor for France being on a hostile ocean of depravity. The Grande Odalisque also typifies Romanticism. Ingres, using example such as the Mannerist Parmaganino’s Madonna with a long neck, takes the artistic license to elongate the figure of this Turkish harem girl. Influenced by the neo-classical revival Ingres draws upon the Greek technique of flat linear forms and depicts his model in an impossible position allow us the view of both her shoulders and her breast; the figure is given an extra three vertebrae in order to mainta ...
... to Aristotle, the life and soul of tragedy is plot. Incidents in the plot have the best effect if they occur unexpectedly, and in consequence of one another. A great tragedy grips the audience with the plot. Aristotle also states that the sense of the inevitable must be present in tragedy. The tragic hero is also another important factor in an Aristotelian tragedy. The central character must be noble and have a higher stature than most men. The tragic hero must also have better qualities than secondary characters but must also exhibit flaws. The most important part of an Aristotelian tragic hero is the tragic flaw. The flaw is inborn to the person. He ...
