... personal aspects of life. Stalin and Big Brother achieved total control, not only of social and economic aspects of the state, but also of their people’s personal lives. They did this first and foremost by constantly observing the people. Both Stalin & "The Party" believed in total control over their "party members". The objectives of the Spies, the Ministry of Truth, Thought Police, and the telescreens in Oceania are mirrored in Stalin’s Russia by the actions of the KGB, and all the technologies they used to monitor people. Another way was by altering all forms of media. The Ministry of Truth worked to change the past in all forms of media, making Big Broth ...
... of them. He also had the option of making his claim public, but instead he chose not too. A tragic hero doesn't need to be good. For example, MacBeth was evil, yet he was a tragic hero, because he had free will. He also had only one flaw, and that was pride. He had many good traits such as bravery, but his one bad trait made him evil. Also a tragic hero doesn't have to die. While in all Shakespearean tragedies, the hero dies, in others he may live but suffer "Moral Destruction". In Oedipus Rex, the proud yet morally blind king plucks out his eyes, and has to spend his remaining days as a wandering, sightless beggar, guided at every painful step by his daughter, ...
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... depth and wonder. These symbols follow an array of transformations, changing throughout the novel much like Stephen himself. The figure woman goes from the mother figure, to that of the whore, and finally to the representation of freedom itself. As a child, the image of the mother figure is strong. It is nurturing and supportive, that of "a woman standing at the half-door of a cottage with a child in her arms . . ." (10) who shelters and protects and makes Stephen afraid to "think of how it was" to be without a mother. As Stephen grows, however, like any child his dependency of him mother begins to dwindle, as does his awe for her. He begins to question his re ...
... phenomenologists tend to show a great deal of respect for the reader. In fact, a major underlying theme of this movement is the idea that the reader should be granted freedom to interpret a literary work in any way he/she likes. Jean-Paul Sartre, in his essay entitled "Why Write?", describes this best when he says "the writer appeals to the reader's freedom to collaborate in the production of his work" (627). Wolfgang Iser echoes this belief in the need for readers' freedom in his essay, "The Reading Process: A Phenomenological Approach": "No author worth his salt will ever attempt to set the whole picture before his reader's eyes ... it is only by activating t ...
... be a musical prodigy by his parents. At first, Paul looks down on herr Keller and his seemingly ridiculous ways. Paul had never encountered such an eccentric or bizarre piano teacher before, and immediately ridiculed his methods. He felt that he was too good to be taught by Herr Keller, when in fact it was because he felt belittled by him. This arrogance is shown when herr Keller finally lets him play the piano on their 8th lesson. "He fossicked among his own music for a few moments, finally emerging with a copy of "The Children's Bach". "I played that years ago," I protested. "You are too proud to play it again?" "It's easy." "...Bach is never easy." T ...
... like a joke by Lady Macbeth which we know must have regretted it. The murders appear and kill all of Macduff's family leaving no one alive. When Macduff receives the message he gets raged and swore to kill Macbeth. This is how the fate of Macbeth is written and how Macbeth kind of wrote his own death warrant by doing a point less evil act of greed and lust of power. Macbeths power went so high into his head, which he couldn't keep control of it and finally ended with his life. This scene is the one where the fate of Macbeth's life is written. Also shows how paranoid and insane he is becoming, which is somewhat something that takes some blame off Macbet ...
... of this present year: Therefore, my merchandise makes me not sad."3 Salanio: "Why, then are you in love."4 Antonio: "Fie, fie!"5 The mystery of Antonio's sadness remains, as he dismisses the prospect that his sadness is related to his ships or a lost love. Uninterested in the 'world' of suitors and marriage, Antonio is left without his lifelong companion, Bassanio after he travelled to Belmont to woo Portia. Early in the play another side of Antonio is revealed. Antonio is displayed as a hard cruel man, although a Christian, he displays hatred and contempt towards the Jewish race, usurers and especially towards Shylock. After kicking and spitting upon Shylock, Ant ...
... heroism can be seen when he takes 14 of the bravest in his land to go help Hrothgar. Hrothgar was Beowulf's father's close friend who had been plagued by attacks for twelve years that threatened an entire kingdom. Beowulf did not have to offer Hrothgar's kingdom help, but does so because he wants to uses his God given strength to the best of his ability. As soon as Beowulf heard of the troubles in this land he set sail immediately. Beowulf continues to show his thankfulness by thanking God for giving them safe travel across the sea. Beowulf is lead to Hrothgar and offers him is "services." "-Now sit down to the feast, and, in due time, listen to lays of ...
... become herself. She and Rebecka were very close. Rebeckas death was an extremly hard crush to Mrs Danvers. Like a mother who loses her one and only child who was her everything. But she always feels Rebeckas presence and therefore keeps the house as it always was. When the new Mrs de Winter came to take Rebeckas place Mrs Danvers went furious. Not only could she not stand with the thought that someone was going to take Rebeckas precious place and the one to do it was a joke. In her eyes a shy brat that even the servants laughed at. Maxim liked her for a beginning but the fifth day after their marriage he realizes how she´s really like. She played with him and ...
