... external, like a miracle, has more to do with accomplishing their goals. In an empowerment-based therapy, the clinician must relate to the client in a certain way. He/She treats the client as being able to make his/her own decisions, and he/she forms a good relationship with the client. The clinician's use of questions is also important in this process. Empowerment-based practice is tied with solution-focused therapy. Something used quite often in this practice is called “the miracle question.” The clinician asks his/her client this question, allowing them to visualize their future, and realize that their lives can change. The miracle question is as ...
... of Katharine seems to be that of a small child. Peturicho’s methods of pursuit in some cases border along the lines of torture. Peturicho manipulates and exploits Kate’s character in order to change her outward actions. Although Peturicho does not want to change Kate’s inward thoughts, he does not want to break her spirit. The greatest example can be quoted below. Petruchio says, "Thy gown? Why, aye. Come, tailor, let us see't. / O mercy, God! What masquing stuff is here? / What's this? A sleeve? Tis like a demi-cannon. / What, up and down, carved like an apple tart? / Here's snip and nip and cut and slish and slash, Like to a censer i ...
... and polite, and to learn good manners. “I was kind of lazy and jolly, laying off comfortable all day, smoking and fishing…and my clothes got to be all rags and dirt, and I didn’t see how I’d ever got to like it so well at the widows where you had to wash and eat regular…It was pretty good times up in the woods there, take it all around.” (p. 31) Living in the woods is harder work, having to catch food and build fires to stay warm, but Huck doesn’t mind work as long as he can do it how he wants to. Huck is always going against society and cannot live by its rules. Society told him it was wrong to help a runaway slave, but when he paddled out to go tur ...
... the black race. As he waltzes into the hotel, the boy feels as if he is on a higher level than his fellow black men because he is educated, and he says of his racial equals, "I felt superior to them in my way, and I didn't like the manner in which we were all crowded together into the servants' elevator"(175). The boy undergoes a realization that he is, in fact, not a Booker T. Washington as he plans to be in life, but merely a common black man who is in disagreement with his own race. He comes to this realization after being victimized by the white men and forced into battle with men of his own ethnicity. As a result of the ethnic battle, the boy ultimately li ...
... narrator’s madness- is afraid of burglars and intruders, so he locks his doors and shutters tight. In fact, his real danger is already inside the house- which is an obvious irony. It is most ironic that he could have disposed of the body in any other way- but he chooses to hide it under the floorboards where he will walk over it every day. His heavy conscience causes him to confess to the police. This is a great example of his talent with ironies. “The Cask of Amontillado” is another of Poe’s great works. This murder took place during the carnival season - a time of happiness and merriment - which an irony. During their travel through the vaults, Mo ...
... secession from society was shown by her decision to leave Torvald and her children. Society demanded that she take a place under her husband. This is shown in the way Torvald spoke down to her saying things like: "worries that you couldn't possibly help me with," and "Nora, Nora, just like a woman." She is almost considered to be property of his: "Mayn't I look at my dearest treasure? At all the beauty that belongs to no one but me -that's all my very own?" By walking out she takes a position equal to her husband and brakes society's expectations. Nora also brakes society's expectations of staying in a marriage since divorce was frowned upon during that era. Her dec ...
... thou freight the court With thy unworthiness, thou diest. Away, Thou'rt poison to my blood. (I.I.126) According to the King and his Queen, her son, Cloten should be the rightful man for Imogen. Not only are they sold on the idea, but Cloten is as well. He tries every second he can to, in some way, try and do something to look great in front of her. His life, sadly, revolves around trying to do what his mother thinks is right and winning Imogen's affections. Much to his dismay she is not only annoyed, but uninterested. Giacomo is the next in line to hurt Imogen. With the bet he made with Posthumus i ...
... me when I bought this dress" (Laurence 29). She mentions that her feet are hurting and how she is tired. She likes the dress mainly because it is silk material. Doris on the other hand does not think that it is real silk and not worth buying. Inspite of what Doris thinks she buys the dress anyway. Going against her wishes is what started all the bad occurrences related to the lilac silk dress. The first occurrence in the novel is when she wears the lilac silk dress at the dinner table with Marvin and Doris. Are living with Hagar in her houseand she notices something is wrong. "What is it ? I want to shout the question impatiently at the face. Instead I fold my h ...
... to engage in the same traditions the other Dusads do, she still longs for them. Alas she is a lowly Dusad widow, an “untouchable,” and she knows deep within her soul that she will never experience any of these glorious things again. And even as she realizes this, her mind insists that there is a man, a Brahman, standing before her relentlessly proclaiming his love and desire for her. Despite the knowledge that this can not be and against all that she believes, she finds herself surrendering to her own desires. This concession leads Dhowli into a whirlwind of love and acceptance that she had never imagined possible. She constantly reminds herself that ...
... this Christ figure in his innocence towards Claggart, by not knowing why Claggart treats the crew so bad, and to why there is a side to him that enjoys this cruel punishment. Billy talking to Claggart says "No man can take pleasure in cruelty". Billy shows his innocence by how he can not judge how anyone would thrive we they are loathed by so many others, like Claggart does. Billy also shows a resemblance towards a Christ figure, by his ignorance of what goes around him. He ponders why so many people abominate Claggart? Billy can’t understand the meaning behind Claggart, so Billy has no problem with Claggart. Claggart bruptly says to Billy " Is it ignoran ...
