... In reply to this Enobarbus speaks very freely of his view of Cleopatra, even if what he says is very positive: ...her passions are made of nothing but the finest part of pure love. We cannot call her winds and waters sighs and tears; they are greater storms and tempests than almanacs can report. This cannot be cunning in her; if it be she makes a shower of rain as well as Jove. (I, ii, 147-152) After Antony reveals that he has just heard news of his wife’s death, we are once again offered an example of Enobarbus’ freedom to speak his mind, in that he tells Antony to “give the gods a thankful sacrifice” (I.ii.162), essentially saying that Fulvia’s death ...
... is the fact that she is madly in love with John Proctor. Elizabeth knows this, too, and has even caught her husband with Abigail once. She then got rid of her as a maid, and put her on the road. When she is talking to her uncle, Reverend Parris, she even mentions that "She [Elizabeth Proctor] hates me, uncle. It’s a bitter woman, a lying, cold, sniveling woman..." (page 12). It is clear that Abigail is speaking with a jealous tone, and that Elizabeth only did what seemed to be the best way to keep her family together. Abigail, however, does not understand nor accept this, since she is deeply in love with John Proctor, and sees Elizabeth a ...
... his work. If there is another creature there will be twice the power and possibly twice the evil, which could hurt or kill his family. When and if commits the moral sin of creating another monster he may be rid of both monsters forever. "With the companion you bestow I will quit the neighborhood of man,"(pg 142) promises the morally corrupt monster to the doctor upon the completion of his partner. When the doctor finishes his first creation's mate there is a chance that they will not keep their promise and stay in Europe, envoking fear into the people that live nearby. The good doctor, trying to act morally, destroys the monster for the good of the world. The mo ...
... orders not to permit Hamlet to see her again. Her father also wanted to prove Hamlet’s madness to the king. He used Ophelia as bait so he and the king could listen to Hamlet’s words. Ophelia willingly obliged to her father’s desires. By not thinking for herself and only doing as her father wished, she ruined her chances of love with Hamlet. Hamlet put pressure on Ophelia by expecting her to surpass his mother’s shortcomings and be an epitome of womankind. He searched her innocent face for some sign of loving truth that might restore his faith in her. He took her mute terror for a sign of her guilt and found her to be a false person, like his mother. In ...
... the Odyssey, The Divine Comedy, and Paradise Lost. The Odyssey, attributed to Homer is about Odysseus, the king of Ithaca, who sailed with his army to take part in war against Troy. After ten years of war, victory is declared and the armies of Odysseus have sailed for home. As the Odyssey begins, an additional 10 years have passed since the fall of Troy and Odysseus still has not returned to his home. The noblemen have converged on his palace seeking the hand of his lovely wife, Penelope. However, Penelope refuses their advances choosing to remain faithful to Odysseus. During the ten years of his absence since the fall of Troy, Odysseus has traveled ...
... from his and his wife's anguish at the loss of their first-born son as well as from the estrangement between his sister-in-law and her husband due to the death of their child. In Donald J. Greiner's commentary on Frost's works, "The Indespensible Robert Frost," it is revealed that "Mrs. Frost could not ease her grief following Elliot's death, and Frost later reported that she knew then that the world was evil. Amy in "Home Burial" makes the same observation". "Home Burial" illustrates the cause of the failing marriage as a breakdown of communication, both verbally and physically, between two people who adopt totally different views in the midst of crisis. Amy ...
... and perhaps that is one reason that I do not get well faster. You see he does not believe I am sick!” The men under the impression that what they say goes and therefore the woman has no illustrates that the men are in control. If they strongly believe nothing is wrong, then nothing must be wrong. It is a feeling of self-satisfaction the men feel when they are superior to the woman. The main character knows John loves her, but it is the oppression she feels that bothers her so. Her husband expresses his love for her but at the same time imposes his will on her. He hinders her from having our own thoughts. “..John is very careful and loving, and hard ...
... from Joe that the previous hand had been run off by Fletcher, the powerful and unscrupulous rancher vying for land with the homesteaders in the area. The trust Joe places in Shane helps to forge an uncommon bond of friendship between the two men, which inevitably embroils Shane in the escalating conflict. Several subplots lend added depth to the story. The most important involves the growing attraction Marian Starrett and Shane feel for each other, notwithstanding her deep love for Joe and Shane's loyalty toward him. In the end, however, it is Bob's unwavering love and admiration for Shane (and Shane's tender feeling for him) that is the heart of the story, as ...
... everyone. To add to Gatsby dedication also came his hard work. As a boy he had a schedule of his day with all the things that he needed to do in order to eventually reach his goal. In his time everyone had this AAmerican Dream@ but only those few who took the time to do the work were rewarded with the fulfillment of their dream(Fitzgerald 181). The acquisition of his wealth and material possessions was only the first step in his two-part dream. The second goal was winning back his first love Daisy Fay from Tom Buchanan. Money was the only way he thought he could win her back. Now that he was on her level monetary wise, he moved in to try to gain back the love that ...
... emotional problems, their marriage, their pasts, their suicidal impulses and their homosexual relationships. However, Clarissa will ultimately differ from Septimus, who, fails to confront the requirement of the society, commits suicide the night of Clarissa's party. Virginia Woolf manages to make use of time and space to join the apparently disconnected journeys of Clarissa and Septimus. Their stories take place in a single June day in 1923, within the city of London. The day culminates with the party to be held in the evening. The party is not only looked forward to as a great event for Clarissa and her guests. More significantly, the party also foreshadows the ...
