... the lingo and slang that was used by the people of the 1930's. Most of the terms that were considered vulgar may be a bit distasteful, but is nothing that is not heard on the streets today. Extreme profanity is not extraneous in the novel, in fact, it is tame compared to slang terms used today. Casy, the former preacher that was traveling with the Joads, is not be given the connotation as the most holy man. Casy did not consider himself a minister at the time The Grapes of Wrath takes place. "But I ain't a preacher no more" is spoken many times by Casy in denial that he is a man of the cloth. Indeed, Casy is brutally killed in the novel, but it does not go into ...
... that all items that may cause danger be place in a safely locked place and that the keys be given to two people so that the stuff will be safe. " By the judge's direction, the various drugs were placed in the box and it was locked. The judge then gave the key of the chest to Philip Lombard and the key of the cupboard to Blore." (pg 141) The final way that the guests protected themselves was to keep close together as much as possible. "By all means. But in doing so let us be careful to keep together, if we separate, the murderer gets his chance." (pg 142) " I think, my dear young lady, we would all prefer to come and watch you make it." (pg 146) The next thing tha ...
... the only ones who uynderstan what he is going through or has gone through by the end of service. Paul resents the effort that everybody seemed to be going through in order for him to enlist. Teachers and parents especially wanted him to enlist. Paul even says, "at one time even on's parets were ready with the word 'coward'" When Paul finally gets home, he seems overjoyed to be back, but soon he feels the discomfort of being worlds apart from his mother and father. When he first gets back, he can only cry, but when he tries to speak with his mother, he can't bring up the right words. The separation he felt was a result of his feeling about how horrible the war w ...
... Vladimir and Estragon deny that they know Godot when Pozzo asks them. Keeping with the religious theme, this is parallel to Peter's denial of Jesus. Another interpretation is that Pozzo is God, and Lucky is mankind. Perhaps Pozzo is really Godot, as he was mistaken for Godot, or maybe Pozzo is just there as a deception. Lucky wants to satisfy Pozzo with menial acts of obedience (according to Pozzo's own explanation of Lucky's actions), while Pozzo seems quite apathetic to Lucky's deeds and plights. However, in the second act, Pozzo needs Lucky to exist, because Pozzo is blind. Perhaps this is similar to the theory that God would not exist if ...
... the first barber." The contrast between Marjorie's delicate appearance and her vicious nature was described in similes. Marjorie, braiding her hair, "looked like a delicate painting of some Saxon princess." Her braids "moving under the supple fingers like restive snakes" suggest her treachery. Fitzgerald also uses foreshadowing when Marjorie called Bernice's bluff about wanting to leave. Later Marjorie called her bluff about bobbing her hair. As Bernice's hair was being cut, "there was a curious narrowing of her eyes" that foreshadowed her expression when she got the idea to bob Marjorie's hair. "Suddenly she drew in her breath sharply and an expression flas ...
... has which is prevalent in the novel. The movie adequately captures the bleak and dreary mood in the novel. The camera shows the Frome household in the middle of nowhere, with no houses nearby, in the middle of winter. This, with the addition of appropriate music, creates a bleak atmosphere, and there is no doubt in the audience’s mind of an impending sense of gloom and tragedy. The darkness of the house amongst the pure white of the snow is a symbol of the darkness within the house. It shows that the people living in the house, the Fromes, are not happy people. They have their burdens and a darkness in their lives that is further intensified by the jo ...
... be stopped and thinks that he must be stopped by Gaunt. She thinks that if Richard is not stopped, he will continue to kill, and Gaunt could be next. " ... To safeguard thine own life / The best way is to venge my Gloucester's death." (I, ii, 35-36) Richard could have allowed Bolingbroke and Mowbray to fight to the death, but if he had allowed this and if Bolingbroke had won, Richard's full part in the murder could be exposed. On the other hand, if Mowbray had won, Richard would be in debt to him even more so than he already was. The only other option was to exile both Bolingbroke and Mowbray, stopping both from exposing Richard's part in the murder. Richard ...
... pride, and the never ending battle between the sexes. Pope engages the classic formulas of an epic to depict a tale of a great injustice, the unforgivable theft of a single lock of hair. "The Rape of the Lock" burlesques elements of the epic in a variety of manners. The first elements encountered by the reader are the dream and the presence of supernatural beings. " . . . but Zeus could not sleep. For he was pondering how he could destroy crowds of men on the battlefield and cover Achilles with glory," Homer writes, "It seemed to be the best plan to send a bad dream to King Agamemnon" (trans. in W.H. D Rouse 23). Just as Homer chose to invoke thepower of the gods, ...
... are the right leaders. The Duke says Europe needs, "…a new kind of leader--someone like a flag, whose very presence makes us rise. Not a Mussolini, of who we are afraid. Not a Hitler who drives us to our feet. But an emblem whose magnetism pulls us upward." (180) The Duke sees himself as being more powerful and influential, more of a leader, than either Hitler or Mussolini. He compares his potential leadership to that of a country’s flag- someone people will respect and admire. He truly believes he can be their new leader and puts himself on a pedestal. The Duke and Duchess posses many secrets. Findley explains how, "…an agent of Churchill’s [was ...
... her weaving, and if by the time she is finished and Odysseus hasn't returned, then she will be forced to choose another husband. Penelope worked on it during the day, but secretly at night she would unravel everything she did during the day. Her plan worked, until the Akhaians caught her and forced her to finish it. She was extremely crushed, and disappointed. The Akhaians told Telemakhos that, "He has to dismiss her mother from the house, or make her marry the man her father names and she prefers." The Akhaians tell her that they'll never go anywhere else, until she takes and Akhaian to liking. Several incidents like this occurred throughout the book, and ...
