... of wood, Thrown down in front of us is not to bar Our passage to our journeys end for good." The first three lines of this stanza already expose this existentialist message. When read literally we see a group of travellers whose passage has been impeded by a tree which has fallen across the path of these travellers, however when we read deeper into the passage we find Frost referring to "Our journey", a term commonly used in existential writing as a description of life, and the tree a representation of the problems or hurdles faced in life. In his poetry Frost commonly refers to life as "his journey" and in this instance Frost has writ ...
... boy’s name associates itself with all the ‘twists’ and changes that occur in his life. Oliver goes from being an abused orphan, then taken in by wealthy people, then kidnapped by his half-brother, and then rescued by a friend of his deceased father. Jack Dawkins was also another colorful character’s name who fit pretty well with his traits. Jack was also known as the ‘Artful Dodger’. The way this character acts and the way he talks gives all the right to call him ‘artful’. The way he mocks the justice system while in a court of law and survives does make him a ‘dodger’ of the law. What one can also find interesting in the story is how e ...
... drew attention to her self-dramatization. From the very moment Jane was able to read she was constantly attracted by the disguised portraits that she make for herself in books, ballads, and dolls. The recurring theme of self-awareness I saw in Jane Eyre started from the first time Jane saw herself in the mirror which consequentially gave her a fresh awareness of her own identity. When John "throws the book" at Jane Charlotte Bronte's attempt was to both literally and metaphorically symbolize the deprivation he was instigating of any sense of herself and her rights. According to Jacques Lacan, the first identity of oneself in a mirror is the most decisive stage in ...
... for taking the dead woman's child into his house. All of these disturbing actions on the part of Fyodor are cause for his punishment. While Fyodor neglected his fatherly duties to his other three sons, to this fourth, he rejects them completely. He finds the controversy around the mystery of the boy's conception amusing. He employs his own son as one of his servants, as his "lackey." Although incredible attention to detail is paid to the story of Lizaveta, Dostoevsky waits to speak of the boy himself. It is as if the author is all ready separating this last son. Dostoevsky claims to not want to go into detail about so as not to distract the reader from the ...
... to my thesis supervisor, Assoc.Prof. Dr. Jashua M. Bear for his help and freedom he gave me in this study. Without his understanding this thesis would never have been completed. I also wish to thank my sister Fidan Korkut for her suggestions in the planning stage of this study and her endurance during my long study days at home. My special thanks go to Özgür Ceylan, who constantly granted me her moral support. She was always there when I needed her. THE AUTHOR: GEORGE ORWELL Presentation This chapter introduces general information about George Orwell's life. It includes chronological progress of his life and his political convictions. Furthermore, important e ...
... and just become totally selfish. Language: Lady Macbeth scolds Macbeth for giving in to his fears, and letting his imagination get the best of him. "Approach thou like a rugged Russian Bear..." there are quite a few similes in this scene, which have no real effect except to provide a few simple images for the reader. Act IV Scene III Context: This scene's purpose is to give the reader a feeling of how much is being built up against Macbeth. There is a great contrast in this scene because it opens with despair, and ends in friendship and confidence. Language: Incredible amounts of contrast in this scene in the language. The first part is all about evil, d ...
... to be frugal, we can’t waste anything. People who spend lavishly should listen to the maxim, "Silks and Satins, Scarlet and Velvets put out the Kitchen Fire". This saying reminds us that the nice, expensive things all work just as well as the generic ones. Another proverb that a person with no frugality should abide by is, "Women and Wine, Game and Deceit, Make the Wealth small, and the Wants great." This is one I can definitely relate to. Women, wine, and playing around all do put a dent in your pocket book. "Early to Bed, and Early to rise, makes a Man healthy, wealthy, and wise", is another I can relate to. This maxim is directed to all slothful ...
... Libby is also a poem about death, however, the difference is very obvious. Moore uses a different style to create her poem. She uses "pretty" language to describe the death of "Sweet little Libby" and how beautiful and delicate she was. She compares Libby to a flower that dies too soon in the second stanza and then repeats it in the third. The word "little" appears eight times throughout the poem to over emphasize how little Libby is. She also tells us that her friends mourn for Libby three different times in lines 12, 16 and 17. This repetition seems to make the poem dull. Compared to Owen's poem, this poem lacks the descriptive details of her death ...
... new life outside the window. "When she abandoned herself a little whispered word escaped her slightly part lips. She said it over and over under her breath: free, free, free."(Chopin341) She was starting to feel good about herself again. "But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome."(Chopin341) She is starting to build her ego by planning her life by herself, so it will be great again. She sees this big dream through her super ego. She was not going to let anything stop her, until suddenly her husband walked through the door. Her dreams ...
... skin color was pale, and the speaker says that his mistress' breasts were a brownish-gray. "If hairs be wires, black wires grown on her head" (4). The speaker is saying that her hair is not soft, silky and smooth. The speaker goes to the extreme of saying her breath "reeks." When you hear the word "reeks" you imagine an awful smell and using this to describe her breath creates an image of not wanting to come face to face with her. But as you continue to read, the speaker says that she is a real person and is obtainable, unlike a mystical form such as an angel or goddess. "I grant I never saw a goddess go, / My mistress when she walks treads on the ground" ...
