... finally came face to face, there was a large battle of words and threats. Achilles and Agamemnon are on the threshold of killing each other. As Achilles begins to become completely enraged, Athena was sent down by Hera to calm the raging Achilles and urge him not to fight Agamemnon. Not able to act against the will of the gods, Achilles sheathed his sword and only verbally badgered Agamemnon. After the verbal abuse continued for a while, Agamemnon finally got fed up and ordered Briseis to be taken from Achilles. Achilles lets the two messengers take Briseis away; although he mourns every step she takes away from him, he reluctantly lets her go. Before Briseis ...
... together the three unites of, Action, Time, and Place. Also, it is generally accepted that most tragedies end unhappily and contain a significant amount of dramatic irony. Oedipus the King, written by Sophocles in the 400’s BC, is about a young Greek who was fated to murder his father, marry his mother, and while in the process become the king of Thebes. This play is no exception to Aristotles’ definition of a tragedy. The play includes all the key elements of a Greek tragedy, and also contains all the parts of a Greek play such as a Prologue, a Parados, an Episoda and Stasima, as well as an Exodus. In the prologue, Oedipus is introduced as the Kin ...
... come out of the house unless it was to do something - hang out the wash or dig potatoes in the garden. She looked out of place, with her bare lumpy legs, not touched by the sun, her apron still on and damp across the stomach from the supper dishes.1 The narrator had problems coming to terms with the role in life that she was expected to lead. She wanted to work outside with her father doing the work that she deemed important. The mother tried to get the narrator to work inside doing work deemed appropriate for a lady, however it was not something she enjoyed. "I hated the hot dark kitchen in the summer" (p. 530). The narrator was not considered ...
... will stop at nothing short of killing the current king and he will even go so far as to kill one of his friends, and try to kill his son in order to try and become the new king. Next we see this theme again when Macbeth says "Me thought I heard a voice cry "Sleep no more, Macbeth does murder sleep," the innocent sleep"(II.ii.64-66). Here again we see Macbeth is starting to hear voices and he is starting to go a little crazy. Here is where things really start to head downhill, and they go down fast. Because of Macbeth’s ambition for king he has killed the current king. Now he thinks he is hearing voices that keep him from getting his sleep. And as we wil ...
... from his friends. The most obvious example is when he refuses De Guiche's offer to be his patron. Instead of accepting the advice from his best friend, Le Bret, he has a rousing “No Thank You” tirade in front of the Cadets where he openly refuses to be under De Guiche’s patronage, proclaiming that living under another man's honor is beneath him. “Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you!” (Cyrano, p.75) However, Cyrano should have realized that with De Guiche’s support he would have a higher status and a more stable economic sou ...
... of feline asphyxiation. John Wesley and June Star have little if any respect for their paternal grandmother. "She has to go everywhere we go," whines June Star (194). The grandmother also dresses immaculately, even for a car trip, simply because in an accident "anyone seeing her dead on the highway would know at once that she was a lady" (194). She calls attention to pointless details such as mileage, the speed of the car, and scenic road-side attractions. Also typical, the grandmother holds a deep appreciation for incidents which are of no value to others, such as the beauty of the landscape, respect for elders, and courting rituals during her childhood. T ...
... and turn on the lights. He acts as though he is appalled and completely confirms his guilt! Now, I feel that I should kill my mother, as she is requesting me. But I shall not, I shall do as my fathers spirit has told me and leave her for her conscience. I went to Claudius' room, yet I could not bring myself to harm him-not yet. Later, when I went to my mother's room, I killed Polonius. It was not on purpose, I had thought that it might be Claudius hiding behind the curtain thing. Oh, how I hate my mother; for what she has done to me, to this country, and to herself! I have vowed that if I do get sent to London, that I shall also kill my companions, for they are ...
... From beginning to end, many factors contribute to making Mr. Dimmesdale feel trapped in one way or another. To start, he is trapped in silence and pain. His need to be silent and the pain that he feels because of it, is shown when he says to Hester Prynne, in front of the town, Hester Prynne, ... I charge thee to speak out the name of thy fellow-sinner and fellow-sufferer! Be not silent from any mistaken pity and tenderness for him; for, believe me, Hester, though he were to step down from a high place, and stand there beside thee on thy pedestal of shame, yet better were it so, than to hide a guilty heart through life. Wh ...
... and Eve from the grace of God. Another of Lanyer's topics is the sentencing and crucifixion of Christ by Pilate. Also while speaking on Pilate, Lanyer mentions Saul, who sought the death of David, however briefly. Aemilia Lanyer has provided a very strong argument, within the confines of her society, for the reasons why women deserve and have earned the right to equality with men. Amongst Aemilia Lanyer's arguments towards equality, she includes the fall of Adam and Eve from the grace of God. It is Lanyer's belief that the blame should not have landed solely upon Eve's shoulders for this fall, but instead Adam should be held most responsible. Lanyer claims: ...
... of the play is that of hopelessness and self pity. Medea is both woman and foreigner; that is to say, in terms of the audience’s prejudice and practice she is a representative of the two free born groups in Athenian society that had almost no rights at all (“Norton Anthology” 739). Euripides could not have chosen a more downtrodden role for Medea. Here is this woman who has stood by her man through thick and thin. She has turned her back on her family and killed her own brother while helping Jason capture the Golden Fleece. “Oh my father! Oh, my country! In what dishonor I left you, killing my own brother for it.&# ...
