... she is brought up on the scaffold. Prynne is not happy about finding his wife convicted of being an adulteress. He feels that the other guilty party should be up on the scaffold with her. His deep want to find the guilty party, leads him to disguise his identity, and he becomes, Roger Chillingworth. Hester agrees to keep his secret. The novel takes us through the seven years that Hester keeps quiet. A reader of the novel finds out early that Arthur Dimmesdale is the man Hester is trying to protect. One notices, that even in the beginning, there is deep inner conflict affecting Dimmesdale. On the scaffold stands his parishioner, and his lover, Hester. She ...
... with the intention of killing her because of her “unholy” vocation, he takes her up to a room to murder her. Just as he is about to whip out the switchblade and fulfill his holy mission, he suddenly hears “God's” voice telling him not to bother because “there were too many of them.” At the moment when this revelation takes place, the woman of the night sees the preacher in the midst of taking out the knife, and she screams. The shouting brings a Negro servant, and the preacher is forced to kill both the servant and prostitute. In Powell's sick and twisted mind, God had merely changed His mind when Preacher's life was in danger. There is a contr ...
... relationship. "Sometimes you just get used to a guy." The two have grown together, and they live a part of eachother. George, being the leader of the two, has the responsibility of caring for Lennie, who is much like a child in his ways, however, far more dangerous than his inner character reflects. George has to keep a watchful eye over Lennie, for without constant supervision, Lennie would inadvertently kill anything he touches. George has towards Lennie the tenderness and protective instinct which most have towards the helpless, the disadvantaged, and the dependent. George has encountered and embraced a responsibility, a social responsibility, and a h ...
... a slight aiming misalignment we broke a window and had to confess to my neighbor and give her our apologies. Pip, however, had the guilt weighed on his conscience forever-he did not have the courage to tell Mrs. Joe that he had taken a pork pie that was for Christmas dinner. Mrs. Joe only made it harder for Pip when she asked, "And were the deuce ha' you been?" (page 20). Pip had to make a moral judgment about whether or not to tell the truth about what he did and is challenged with many more of these decisions throughout the book. Pip was later introduced to Estella, Ms. Havisham's adopted daughter, whom was taught to pursue retribution on all of the male po ...
... "You're a rotten driver. Either you ought to be more careful, or you oughtn't drive." Jordan responds, "They'll keep out of my way. It takes two to make an accident." Fitzgerald attacks the motif of reckless driving vigorously, since it conveys precisely the vision he had of America. He saw twenties society as recklessly careless; the society was "driving on toward death through the cooling twilight." Through out the novel, Fitzgerald foreshadows the downfall of his own generation. At the heart of the most intense conflict in the novel, where Gatsby finds out that he will never live his dream, Nick realizes, "I just remembered it's my thirtieth birthday," sign ...
... the Mescalero Apache. I feel she uses her book primarily as actual proof that in many ways the Indians' culture is the same now in thought, song, narrative, everyday life, religion, and in rituals as many generations before the present. The three major examples of life in the "mythic present" that I will primarily be discussing are the astronomical concept of the Mescalero Apache, the kin-system that the Apache implore, and lastly the Apache girl's puberty ceremony. Although I have only selected three examples, there are obviously many more such as the cultural heroine, White Painted Woman, the creation process in which Apache people are seen as the weake ...
... In "The Beast in the Jungle" James has aesthetically hidden the reality of Marcher's destiny by treating it as a symbolic crouching beast waiting to spring. The reader will ask why James has done this? Wouldn't it be more effective to speak plainly of Marcher's and Bartram's relationship? The author could tell us exactly why John Marcher does not marry May Bartram. The narrator tells us that Marcher's situation "was not a condition he could invite a woman to share" and "that a man of feeling didn't cause himself to be accompanied by a lady on a tiger hunt" (p. 417). This is nonsense. Marcher won't marry May because he doesn't want to inconvenience her wit ...
... their past lives, including everything they left behind. After enlisting most understand that they’re leaving those old lives behind for years at a time. They suffer knowing they are in a sense trapped. Paul Baumer says, “Beyond this our life did not extend. And of this nothing remains” (20). The army became the most important thing now. Nothing else counts. Nothing else can count. By enlisting in the army, they chose to give up everyday pleasures. No matter how bad they want out, they’ve made a commitment and must stick to it. It doesn’t mean the soldier’s are treated badly or even that they didn’t like the army. It just means nothing else could com ...
... land. Who would think of an angel landing? Meanwhile, Paul doesn't show when he discovers the magical power of the rocking horse he received as a gift one year. He does ride it often as Lawrence describes. The stories are bound by the fact that the magical things they discover are unbelievable at best. They often criticize Paul for his affection for a horse he should have outgrown long ago. No one would believe that the rocking-horse essentially talked to him. Although the characters in "A Very Old Man with Enormous Wings" believe that an angel is in their presence, they have no idea what to do with him. No one had ever dealt with a spirit on this level bef ...
... reader can visibly ask oneself why this is occurring. The easiest way to observe this may be the town's actions toward Tom Robinson, the "negro" on trial. The townspeople, for the most part, dismissed the entire trial on the basis on that it does not matter what Atticus can do, Mr. Robinson is automatically guilty. This message can also be seen in a severely symbolic manner, Tom Robinson's death. The manner in which he dies is that he escapes and attempts to climb the fence to freedom, however he only has one good arm and that is his detriment. It slows him up enough to allow the police to shoot him numerous times. Symbolically this can be viewed as a glimmer of ...
