... tax attorney, he is jumpy around Conrad, and, according to his wife, drinks too many martinis. Conrad seems consumed with despair. A return to normalcy, school and home-life, appear to be more than Conrad can handle. Chalk-faced, hair-hacked Conrad seems bent on perpetuating the family myth that all is well in the world. His family, after all, "are people of good taste. They do not discuss a problem in the face of the problem. And, besides, there is no problem." Yet, there is not one problem in this family but two - Conrad's suicide and the death by drowning of Conrad's older brother, Buck. Conrad eventually contacts a psychiatrist, Dr. Berger, be ...
... by, Chris Hendrix. He is fitted in what seems to be typical factory workers' uniforms. The actual acting of Tom is amazing. He looks as if he really gets into the part. In some of the narrative scenes, Tom actually leaves the stage and walks up and down the aisle of the theatre. No matter how unconventional his action, it was very effective. That action brought the play to the audience and made the audience feel as if they were active members of the play. Given the fact that the play has the confining effect of a small St. Louis apartment, it makes the audience feel as if they are in the apartment. Another fact that makes Tom Wingfield stick out in this p ...
... on religious ideals and laws. It is a society that relies on the guilt that comes from the violation of the laws of its religion and the punishment of these transgressions. Puritan society was one such theocracy. It based its ideals on the bible and used fear of sin to dominate the minds and lives of its people. This concept of theocratic domination is presented in the novel in several different forms. It is shown in the actions of town officials, enforcing the laws of the bible and punishing those who go against biblical law. This is shown when they punish Hester Pryne for committing the sin of adultery. Theocratic Domination is also presented by how the ...
... of life. Four years later, a similar conversation comes up when Brian asks his father how rabbits are born. With this new found knowledge, Brian also sees another newborn. But this time it was a two-headed calf, who dies at birth. Because of this, Brian comes to the realization that "God isn't very considerate"(166), for sometimes he lets things like the two headed cow come into this world, only to suffer and then die. The Second instance in which Brian is confronted with the meaning of life, comes to him when he sees death, and asks himself why. When Brian's pigeon died, he asked his father why it had happened. "Why?" said Brian. "It happens ...
... of the showing of Anti-Christian values and perversions of the Christian religion. In chapter one as Jonathan Harker is traveling to Castle he is met by several people. When he meets these people he tells them where he is going. They cross themselves along with doing other superstitious actions. What Harker doesn't realize is that it was the eve of Saint George's Day, a night when "all the evil things in the world will have full sway"[12]. So, one of the women concerned for his safety gives him a rosary to protect him on his journey. A superstition of most is that a rosary will protect you from all evil, and in this novel the evil party is and his followers. ...
... Not only did they learn the art of hunting; "the medicinal leaves which heal wounds and cure diseases" were revealed (Niane 3). During wartime, a man would have to know how to kill his own food to survive, and knowing which plants would heal the wounds of injured sofas and cure their diseases was important to the survival of the troops. A great hunter would never die of hunger or wounds not treated properly. In , the Muslim rulers were portrayed as powerful, respected, good rulers. Sundiata was a Muslim as well as Soumaba Cisse¢. When Sundiata first arrived at the court of Soumaba Cisse¢, he was at prayer. Soumaba Cisse¢ gave asylum to the exiled Sundiat ...
... says, "Steinbeck's knowledge of the forces which hold a family together and the forces which cause it to disintegrate. He understands that family councils are an important part of the lives of the Joads." The major theme is the struggle and survival of the Joad family from the time they lost their home, to the unity they felt and soon were a part of a whole community, one big family, and one big soul. This theme is particularly exemplified by Ma Joad, who played a major part. The Joads encountered a constant struggle to keep the family going and intact. When Ma knew that gramma Joad was dying she told her that there was ...
... the development of moral themes. The first contact the reader has with people in the book is in the passage in which the two hunters find each other. "The calls were in different tones, evidently proceeding from two men who had lost their way, and were searching in different directions for their path" (Cooper, p. 5). Bewley states that this meeting is symbolic of losing one's way morally, and then attempting to find it again through different paths. Says Bewley, "when the two men emerge from the forest into the little clearing we are face to face with... two opposing moral visions of life which are embodied in these two woodsmen" (cited in Long, p. 121). Cr ...
... Jurgis Rudkus was one fo these dissapointed immigrants. A sweeper in slaughter house, he experienced the horrendous conditions which laborers encountered Along with these nightmarish working conditions, they worked for nominal wages, inflexible and long hours, in an atmosphere where worker safety had no persuasion. Early on, there was no one for these immigrants to turn to, so many suffered immensely. Jurgis would later learn of worker unions and other groups to support the labor force, but the early years of his Americanized life were filled, with sliced fingers, unemployment and overall a depressing and painful "new start". Sinclair, has shown ...
... than face it. McCarthy also points out that he neglects his basic duty as a reporter by failing to record anything (109); a duty which Rieux and Tarrou fulfill. Grand produces two sentences and does nothing to fight the plague, which McCarthy interprets as a parody of Rieux's inability to explain the plague (109-10). Cottard wholeheartedly embraces the plague, revels in it, and attempts to profit from it. The rest of the people either waste their time, waiting for the end (the old man spitting on the cats, the bean-counter, etc.) or join the sanitation squad, under Tarrou. Nobody takes a stand and resists death except Rieux and Tarrou. Rieux and Tarrou d ...
