... around her, she longed for the romantic fantasy life she had dreamed about since she was a child. She found her life dull and unfullfilling and was constantly trying to change reality. Emma wanted a dreamlover. She wanted a man to fullfill all her fantasys, a man to rescue her from the life she was living and to take her into her fantasy world. Emma went through many lovers, searching for the one love that would last always. She wanted to live through her dreams, never realizing that she would never find her dreamlover. Emma died because she would not step out of her fantasy world. Living in a fantasy world, rather then the dream world, certainly ...
... first setting is a very nice house, though not much of a home. As she is constantly reminded by John Reed, Jane is merely a dependent here. When she finally leaves for Lowood, as she remembers later, it is with a "sense of outlawry and almost of reprobation." Lowood is after all an institution where the orphan inmates or students go to learn. Whereas at Gateshead her physical needs were more than adequately met, while her emotional needs were ignored. Here Jane finds people who will love her and treat her with respect. Miss Temple and Helen Burns are quite probably the first people to make Jane feel important since Mr. Reed died. Except for Sunday services, ...
... and maintenance of the absolute power of the sovereign, which was considered the indispensable foundation of the Russian state. His impulse was always to strike and keep striking until the object of his wrath was destroyed. Aggressiveness, however, was not the Emperor's only method of coping with the problems of life. He also used regimentation, orderliness, neatness, and precision, an enormous effort to have everything at all times in its proper place. His regime became preeminently one of militarism and bureaucracy Corruption and confusion, however, lay immediately behind this facade of discipline and smooth functioning. Nicholas disliked serfdom (poverty) ...
... of Baumer’s pre- and post-enlistment societies. Baumer either can not, or chooses not to, communicate truthfully with those representatives of his pre-enlistment and innocent days. Further, he is repulsed by the banal and meaningless language that is used by members of that society. As he becomes alienated from his former, traditional, society, Baumer simultaneously is able to communicate effectively only with his military comrades. Since the novel is told from the first person point of view, the reader can see how the words Baumer speaks are at variance with his true feelings. In his preface to the novel, Remarque maintains that ...
... others to follow. Kesey also seems to believe that persistence is key when fighting the system. Kesey believes that even if you change a small aspect of the system it was well worth the fight. One Flew Over the Cuckoo's Nest, the main character, Randle Patrick McMurphy, fights to change the system in a mental hospital. McMurphy is outgoing, a leader and a rebel. There was a constant power struggle in the novel between the patient's new found savior McMurphy, and the evil Nurse Ratched who rules their wing of the hospital with an iron fist. McMurphy fights to change the system to try to win back the patients' rights and in the process gain more privileges for the p ...
... gladly let him join the crew. They are told the captain of the ship is named Ahab. Peleg and Bildad say that he is a good man, but because of some strange illness, he is confined to his cabin. On Christmas day, and with Ahab still in his cabin, the Pequod sets sail in the Atlantic. As the weather begins to warm up (several months after leaving port), Ahab is finally seen on deck. The strangest thing about Ahab is his leg. Instead of flesh and bone, he has a white ivory peg leg. As the weeks wear on, Ahab starts to become friendlier. One day, he calls the crew before him. He tells them that the sole mission of the Pequod is to kill Moby Dick. Moby Dick is ...
... others. Let him be free of no misery if he share my house Or sit at my hearth and I have knowledge of it. On myself may it fall, as I have called it down! -Oedipus from Oedipus Rex When Oedipus pronounces this sentence he has already unwittingly judged himself, and to the excitement of the crowd foreshadowed later events to come. This statement, is a classic example of verbal irony. In it Oedipus thinking that he is directing his pronouncement upon some bandit, or conspirator, in all actuality he is truly condemning himself. Further examples of irony include his speech when he first answers the chorus “…Because of all these things I will fight for ...
... and the ever-so-small flashes of happiness stand out. The setting sets the atmosphere and creates the mood. The “ dreary night of November” (Shelly 42) where the monster is given life, remains in the memory. And that is what is felt throughout the novel-the dreariness of it all along with the desolate isolation. Yet there were still glimpses of happiness in Shelly's “vivid pictures of the grand scenes among Frankenstein- the thunderstorm of the Alps, the valleys of Servox and Chamounix, the glacier and the precipitous sides of Montanvert, and the smoke of rushing avalanches, the tremendous dome of Mont Blanc” (Goldberg 277) and on that last journey ...
... was revealed when he said, “nowadays people begin by sneering at family life and family institutions and next they'll throw everything overboard and have intermarriage between black and white,”(137). In society today many races are discriminated against because they are thought to be inferior. In school, at work, and in anyone's neighborhood there is discrimination because of the skin color and they are harassed. There was violence in the 20's with gangs and mob leaders such as Al Capone. He was a notorious racketeer who fought with other gangs. Today there are also gang crimes like in the music business there were killings of two rap artists. The killings took ...
... if it could be had; if not, of solemn specious nonsense, about something unconnected with the story: an essay on writing, a critique on Walter Scott, or the history of Buonapart‚, or anything that would form a contrast and bring the reader with increased delight to the playfulness and general epigrammatism of the general style". In 1809 Jane Austen, her mother, sister Cassandra, and Martha Lloyd moved to Chawton, near Alton and Winchester, where her brother Edward provided a small house on one of his estates. This was in Hampshire, not far from her childhood home of Steventon. Before leaving Southampton, she corresponded with the dilatory publisher to whom sh ...
