... This was said by Macbeth, as he was having one of his many mental breakdowns. These breakdowns were caused by just this issue of a bloody play. Macbeth created the bloodlines, and now he must suffer the consequences. "Out damned spot, out, I say!", (5.1.37) said by Lady Macbeth as she is being watched by the physic doctor and the gentlewoman. They both watch as Lady Macbeth has a mental breakdown of conscious, just like Macbeth is having. She is thinking as though she has gotten blood on her, also, when it is only a figment of her imagination. As she tries to wash off the non-existent stain of blood, the doctor and gentlewoman watch in concern. Later, ...
... Bianca because of these witty comebacks and caustic remarks she made (Dash 830). All of the men who desired Bianca needed somebody to marry Kate, as it was customary for the older daughter to be married before the young one. Finally, Petruchio came along to court Kate, saying he wanted to marry wealthily in Padua. It appeared, though, as if Petruchio was the kind of man who needed an opposition in life. The shrewish Kate, who was known to have a sharp tongue, very adequately filled his need for another powerful character in a relationship (Kahn 419). When Petruchio began to woo Kate, everybody was rather surprised, but Signior Baptista agreed when Petruchio ...
... when he states "Ship wrecking storms and direful thunders break" (1. 2. l26). Again this darkness imagery contributes to the ominous atmosphere of the play, having reference to thunder and dark storms. Finally, Lady Macbeth and Macbeth are talking in the scene just before the murder of Banquo and Macbeth says "Light thickens, and the crow makes wing to the rooky wood: Good things of day begin to droop and drowse, whiles night's black agents to their preys do rouse" (3. 2. l50-53). This example of darkness imagery is saying that the day is turning into night, all the good things are going to sleep, and the evil creatures are coming out . The evil in thi ...
... the natural pleasure which accompanies the explosive expenditure of prodigious physical energy and the euphoria which follows. He also rejoices no doubt in the success which crowns his efforts in battle - and so on. He may even conceived of the proper motive which should energize back of his great deed: The service and the loyalty I owe, In doing it, pays itself. But while he destroys the king's enemies, such motives work but dimly at best and are obscured in his consciousness by more vigorous urges. In the main, as we have said, his nature violently demands rewards: he fights valiantly in order that he may be reported in such terms a "valour's minion" and "Bello ...
... prefer the reader trapped within the play the author uses techniques which I have never observed before in this play. For instance dramatic irony, and Pantomine play a very important role in this play. By the use of the stage manager constantly pausing and giving us a reality check, he makes sure we know we are still in reality. The Stage manager creates quite and effective environment by playing different parts. Although in the play he plays many miscellaneous roles, to the audience he is the constant reminder that this is a play. He serves as a gateway between two worlds of "Our Town" and 1998. In the third act of the play, the sub-theme, death has a ...
... chiropractor (who can also be seen as his guardian angel), who said, "The only thing that burns in hell is the part of you that won't let go of your life, your memories, your attachments, they burn it all away. But they aren't punishing you, they're freeing your soul." The chiropractor also says that the way he sees it, "If you're frightened of dieing and you keep trying to hold on you'll see devils tearing your life away. If you've made your peace then the devils are really angels, freeing you from the earth." The film Jacob's Ladder uses the character of Jacob Singer to demonstrate how the film's creators view death and afterlife. The central character in t ...
... it’s traditional film making ideas. Things started to get graphic, more violent, sexual and more expressive. Movies had found a new look and with the production codes now gone and the blacklisting ending, there was an explosion of ideas that would be presented to the United States. The change in the U.S. can be said to be a social revolution. People were growing sick of the same old movies, they wanted a change and Hollywood needed to deliver or else they would lose their audience to the TV. In the early 60’s, the studios were still afraid of the blacklisting so the films were still very safe. An example of this is the film Sound of Music (1965). This wa ...
... by the police in the front of the line and due to poor communication nothing could be done to stop it. A large gate "gate C" was finally opened to let off the pressure in front. This is when the true disaster occurred. People funneled straight onto the already full pens and created the stampede which killed the 95 people. People in the rear were in an acquisitive panic and the people in the front who were getting crushed were in a fearful panic. The emergency gates would open but the police, not realizing the situation, kept people in and closed the gates. Critique This example could not be anymore perfect to show a stampede and panic. All four components ...
... now be afforded, who is become with flirtation, and engages in childlike acts of disobedience (259). This inferior role from which Nora progressed is extremely important. Ibsen in his "A Doll's House" depicts the role of women as subordinate in order to emphasize the need to reform their role in society. Definite characteristics of the women's subordinate role in a relationship are emphasized through Nora's contradicting actions. Her infatuation with luxuries such as expensive Christmas gifts contradicts her resourcefulness in scrounging and buying cheap clothing; her defiance of Torvald by eating forbidden Macaroons contradicts the submission of her opinions, i ...
... downfall because of a tragic flaw in the character of the hero. In Greek tragedy, suffering brought knowledge of worldly matters and of the individual. Aristotle attempted to explain how an audience could observe tragic events and still have a pleasurable experience. Aristotle, by searching the works of writers of Greek tragedy, Aeschulus, Euripides and Sophocles (whose Oedipus Rex he considered the finest of all Greek tragedies), arrived at his definition of tragedy. This explanation has a profound influence for more than twenty centuries on those writing tragedies, most significantly Shakespeare. Aristotle's analysis of tragedy began with a description of th ...
