... ability or capacity to experience or express something. Since people are not considered good or bad based on their emotions, virtue cannot be an emotion. Virtue is not a capacity either, because virtue involves choice, not abilities. Therefore, virtue is a characteristic of a person that "renders good the thing itself of which it is the excellence and causes it to perform its function well." In other words, a person with a good character has virtue. The aim of all human action is for good, and any virtuous act is good. A virtuous act must be based on rationality and only acted on after careful deliberation by the individual. Therefore, a virtuous individual must be ...
... is self-centered and desires power (64). He has based his conception of mankind on the idea that all men are equal, even if others possess different strengths and talents. He argues: For such is the nature of men that, howsoever they may acknowledge many others to be more witty or more eloquent or more learned, yet they will hardly believe there be so many so wise as themselves, for they see their own wit at hand and other men's at a distance. (83) Hobbes' is trying to establish man's image as being self-centered. He is trying to prove that it is man's ego that drives man's actions and those actions will therefore create a never-ending cycle of competition, which h ...
... to bring bad luck to him. However, as he sits and smokes, he hears Tom Sawyer's secret call. Huck puts out the light, slides to the ground, and finds Tom waiting for him among the trees.CHAPTERS 2 and 3As Huck joins Tom Sawyer in the garden, he accidentally trips over a root and alerts Miss Watson's slave, Jim, to the fact that something unusual is happening. Jim sits down on the ground between Tom and Huck, and he would have discovered them if he had not gone to sleep. Tom then plays a trick on Jim -a trick which multiplies in size as Jim tells the story after he awakes. With each telling, the story becomes more fanciful until Jim becomes the most envied ...
... Arranging her marriage with Hialmar Ekdal, the son of his former partner, Werle also sets the couple up in the profession of photography. Hialmar is pleased with his marriage and believes that Gina’s child is his own daughter. Lieutenant Ekdal, Werle’s former partner, is now a broken old man. He does odd jobs for Werle. He is now living with Hialmar and Gina. Gregers Werle comes to Hialmar and explains the claim of the ideal and tries to make Hialmar see that his marriage is based on a lie. But rather than making Hialmar happy by understanding the true nature of his marriage, Gregers only succeeds in turning Halmar against his daughter, Hedvig. The daughter, i ...
... their stories on criminals, William Harrison Ainsworth’s Rookwood and Jack Sheppard are two of the best examples of the theme of ‘crime and punishment’ in the nineteenth century. Ainsworth started his writing career as a writer of Gothic stories for various magazines. Gothic elements are included in Ainsworth’s novel: the ancient hall, the family vaults, macabre burial vaults, secret marriage, and so forth (John, 1998, p. 30). Rookwood is a story about two half-brothers in a conflict over the family inheritance. The English criminal who Ainsworth decides to entangle in Rookwood was Dick Turpin, a highwayman executed in 1739. H ...
... so hard for Barry to manage his relationship with her. However, as time goes by, "cliffs that had looked flat and smooth as polished marble became a series of problems and solutions." Barry has experienced the familiar problems that parents and their adoliescent children usually have throughout society. As a single father, Barry has an incredible fear of losing his only child. In his attempt to keep Moira with him forever, he has tried his best to provide Moira with security. He makes every decision for her in order to make their lives "simple and uncomplicated." Yet, Moira's growing up has made Barry no longer handle the situation well. His every decision f ...
... the need for companionship as well as the need to be alone for periods of time. Living in a boat with a "cramped cabin and the lack of a toilet" results in driving his girlfriends away. He repeatedly experiences loneliness. However, after he becomes used to the idea of being alone, Henri "felt a sense of relief." By eating what he wants and "free of the endless biologic functions for awhile," Henri shows that it is unhealthy to need constant companionship and being alone can help a person rejuvinate. Frankie is all alone in the world except for Doc who accepts him although "he couldn't learn and there was something wrong with his coordination." Noone in the world in ...
... saw Othello as an outcast that had risen to success – which is a factor contributing to another of his reasons for hatred – jealousy. From the very first act of this play, and indeed the very first scene, Iago hurls racial insults at Othello, an example of which is ...very now, an old black ram is tupping your white ewe (I, i, 89-90) - A statement that has both racist and vulgar connotations, as well as referring to Othello as a Barbary horse (I, i, 112) - Which is degrading him to the level of a filthy animal. As was mentioned before, jealousy is also one of the reasons behind Iago’s hatred. His behaviour and speech indicates clearly that he ...
... It would seem to the ancient Greeks that it was a mans world and Father knew best. Without consulting Demeter about his brother marrying their daughter, Zeus just gave her away. Worst of all he did not ask Persephone how she felt about this whole arrangement. It was as if children were the possessions of their parents and had no say in their future plans. As she was being carried away she led out a cry calling her father Zeus and all the other gods to help her, but no one came. The only ones who heard her pleas were Hecate, goddess of the moon and daughter of Persaeus, and lord Helius the sun god, son of Hyperion. Them hearing her pleas was like chi ...
... St. Louis. By 1945 he had completed and opened on Broadway The Glass Menagerie, which won that year's New York Critics Circle, Donaldson, and Sidney Howard Memorial awards. Before his death in 1983, Williams accumulated four New York Drama Critics Awards; three Donaldson Awards; a Tony Award for his 1951 screenplay, The Rose Tattoo; a New York Film Critics Award for the 1953 film screenplay, A Streetcar Named Desire; the Brandeis University Creative Arts Award (1965); a Medal of Honor from the National Arts Club (1975); the $11,000 Commonwealth Award (1981); and an honorary doctorate from Harvard University (1982). He was honored by President Carter at Kennedy Cente ...
