... uses many examples of figurative language throughout his poem eventually ending it with an image of a circle, the symbol of perfection. This perfection is attained by parting at the beginning of the circle and reuniting at the point where the curves reconnect. Donne’s monologue is unique because he uses metaphysical comparisons to show the union of the lovers during their period of separation. The poem begins with a metaphysical comparison between virtuous dying men whispering to their souls to leave their bodies and the two lovers saying goodbye before a journey. The poet states, “Let us melt and make no noise… ‘Twere profanation of our joys/To tell the ...
... but the reason is still unknown. The words and phrases that the witches choose to express themselves foreshadow Macbeth's plot to become king: When shall we three meet again? In thunder, lighting, or in rain? Second Witch When the hurly-burly's done, When the battle's lost and won. Third Witch That will be ere the set of sun. (I,i) Although she knows that there will be darkness, the first witch is not even sure when they should meet again. The second witch mentions the hurly-burly, or commotion, that will occur along with a battle. The third witch is sure that this time will be when the sun will shine no more. All of these statements are true when ...
... how Polonius' innocent involvement with the royalty results in his death can be found at the beginning of Act III, scene iv, when Hamlet stabs him while he is hiding behind the arras in Gertrude's room. This shows how Polonius, a man unaware of the true nature of the situation he is in, is killed by a member of the royalty during the execution of one of their schemes. This makes Polonius' death a tragedy. The next member of Polonius' family to die is his daughter Ophelia. Ophelia's death is tragic because of her complete innocence in the situation. Some may argue that Polonius deserves his fate because of his deceitfulness in dealing with Hamlet while he is ma ...
... The town saw Emily as “a fallen monument” after her death (414). When she was alive, the town thought of her as “a tradition, a duty, and a care; a sort of hereditary obligation upon the town”(414). The town had no chose but to deal with Emily. When the town started to change Emily refused to do so and it was apparent that the town saw her house as “an eyesore among eyesores”(414). The town was very interested in her relationship with Homer Barron a foreman that was working on the contract for paving the sidewalks in the town. They were pleased at first but later they kind of had mixed feelings saying that she as R ...
... a brave man of action, knowledge, stoical, and a strong survivor. Frederic’s change into the code hero is displayed through his change in the way he looks at life and war. His experiences show that life is a trap and there is no hope for happiness. In the beginning Frederic exhibit’s few characteristics of becoming the code hero. His views on life and the war are extremely naive, innocent, and idealistic. Early in the book he is more of a spectator to the war because he only notices his surrounding’s, but misses the effects of the situation he is in. When talking about the war and the epidemic of cholera that has come through, he says, "…Only s ...
... seemed awkward or careless. The worst burn she ever made was on the temple of a customer holding a child across her knees. Violet, lost in the woman's hand-patting and her knee-rocking the little boy, forgot her own hand holding the curling iron. The customer flinched and the skin discolored right away. Violet moaned her apologies and the woman was satisfied until she discovered that the whole curl was singed clean off. Skin healed, but an empty spot in her hairline… Violet had to forgo payment to shut her up. These two hundred fifty words or so are a small percentage of the book as a whole, but contain many of the themes and stylistic ...
... something we can wrap up and walk away with. Discussing the philosophy of the Tao, Alan Watts explains what he believes Lao-tzu means by the line, "The five colors will blind a man's sight. The eye's sensitivity to color," Watts writes, "is impaired by the fixed idea that there are just five true colors. There is an infinite continuity of shading, and breaking it down into divisions with names distracts the attention from its subtlety" . Similarly, the mind's sensitivity to the meaning of life is impaired by fixed notions or perspectives on what it means to be human. There is an infinite continuity of meaning that can be comprehended only by seeing again, for ou ...
... The tourist had gone to the village and they just watched the villagers interact. This is how Geertz begins his visit in Bali. Geertz is an anthropologist and he is in Bali to experience the culture. He and his wife are watching a cockfight take place. Cockfights are illegal in Bali. They continue to watch the fight and he describes the cockfight like any "layman" might see it. This way of not interacting and seeing things from a spectators point of view, is in a way using ethnocentrism. This means he isn't really seeing the culture as it is. From this view point the things which take place may even look stupid. So, things like the cockfights can be seen ...
... gaining him public appreciation, "Man and boy stood cheering by; And home we brought you shoulder-high". The speaker relates this joyous time to the present, where "Shoulder-high we bring you home; And set you at your threshold down". With the phrase "shoulder-high" he connects the race to the funeral procession. The honor of this treatment was endowed the first time for victory, and the final time for homage. The "threshold" symbolizes the grave of the athlete, his entry into the afterlife. The ironic tone of the poem becomes forlorn, almost envious as the speaker ponders upon his own past. Satire presents itself in the line "Smart lad, to slip bedtimes away; F ...
... begins to break. At first, Rodia is argumentative, mocking Sonya’s childlike faith. "‘She’s a holy fool!" Raskalnikov thinks to, but yet Rodia is still drawn to Sonya’s strength. At last, Raskalnikov begins to realize that he is not alone, and it is because of this realization that the great sinner began to confess to Sonya. It can be said that, in this confession, Raskalnikov’s strength returns. However, Raskalnikov’s confession to Sonya is not enough, and Sonya knows it. Sonya "asks only one thing of her beloved: that he should acknowledge the reality of . . . mankind outside himself, and should solemnly declare his acceptance of this new . . . ...
