... man could not trust the shadows and figures he saw hidden in the forest, he could not trust his own desires. Those desires had to be tested through his journey into the forest. Those evil spirits constantly tortured the Puritan, constantly reminding him of his sin and the battle in his own heart. Hawthorne used the presence of these demon in “Young Goodman Brown” by demonstrating, through Brown, the Puritan Journey towards Justification. Going through the forest towards Justification was marked by the disappearance of the self. In place of the self, was the awareness of helplessness and the illusions of sin. This awareness would then assist the moral m ...
... an idea can only be conveyed properly if those on the receiving end of the idea are able to experience the feelings that a character is experiencing in the work. For example, in order for a reader to feel how and understand why Vladimir and Estragon feel as though they do while they wait, it is essential for that reader to either understand or experience the same feelings that Vladimir and Estragon are experiencing. Vladimir and Estragon are waiting; waiting for Godot, to be exact; and Beckett wants the reader to feel as if he or she were waiting also. Along with the feeling of waiting that a reader may experience, he or she might also understand how Vladimi ...
... is treated so cruelly that he makes his way to far off London, instead of returning to his workhouse. Not knowing where to go, he is "rescued" by the Artful Dodger, who tells him "I knows a respectable old gentleman as lives there wot'll give you lodging for nothink." (51). The "respectable old gentleman" is none other than Fagin, a crafty, old, shriveled scoundrel who enriches himself by teaching outcast boys how to steal. It's unsettling to witness the calculated manipulation of the trusting and impressionable Oliver into the world of petty crime. And, it isn't only Fagin who spreads evil among the cast-off waifs of London. There is someone viler, someone e ...
... knowledge. Because Shakespeare put so many ideas that are part of everyday life, even in this day in age, people can always relate to them. Love, hate, foolishness, jealousy, and anger are just some of the countless ideas that were put into his plays. Despite what the situation in Kosovo is or which team is winning in the Stanley Cup finals, there will always be these ideas in the world. Anyone can relate to the ideas in Shakespeare’s plays, that is what makes them so great. No matter how advanced the world becomes or no matter what kind of wars we fight, these feelings will always be there. Love is in everyday life, if not intimate than parental. Hate, ...
... her quest was to find her "African side" and to connect with it. Beneatha started to fulfill this by talking to Asagai (a man from Africa). She told him, "Mr. Asagai-I want every much to talk with you. About Africa. You see, Mr. Aasagai, I am looking for my identity." Asagai became a link to Africa for Beneatha, a guide to her ancestry/roots. In Act II, Beneatha shows how she has connected with her African roots by doing a ceremonial dance and by cutting her hair so that it would "natural." In Act III, Beneatha has the opportunity to connect more with her roots when Asagai proposes to her. He wants her to go with him back to Africa so that she can practice medi ...
... their hearts through long comfort years”(1706). The Geats need someone to believe in and who would believe in someone with low self-esteem or someone who didn’t believe in themselves. The people need assurance and they found that assurance in . reassures his people that the Dragon will be dealt with and gives them courage to withstand this threat. “ I lived in my youth through hard war-moments--- now here I am ready battle weary king battered with winters for final glory-time if that grim hall burner will come to meet me from his mound of gold” (pg. 81). wants to reassure his people that he can once again succeed in defeating his enemies. The peopl ...
... he has forcefully steered its' direction. Shakespeare, at the very beginning of the play does not bother to develop the character of the protagonist, Othello but rather places greater emphasis on plot development. We are immediately introduced to Roderigo and Iago and are privy to their conspiracy to undermine Othello. With a masterful stroke, Iago subdues Roderigo, his 'dupe' and sets up the initial plot- Iago intends to gain his rightful position of lieutenant by destroying Othello and Casio. "I Know my price, I am worth no worse a place." Although Iago's plan does not change throughout the play, his motives, which obviously influence his actions do. Iago's ...
... The figure was the purpose of his journey into the forest. He (the figure) was an older man, which resembled Goodman Brown. The most discerning aspect of this traveler was his staff, “…which bore the likeness of a great black snake…”(103). The traveler’s staff seems to symbolize the evilness of its keeper. Goodman Brown tries to stop his journey into the woods, but he is persuaded (by evil) to keep on going. Satan now starts to introduce the evil that is apparent in his family by talking about his father and grandfather and the things they did in the past. Goodman Brown is surprised at the tales that he is hearing. He does not ...
... inevitability to self-destruction. For the cosmos is a fatally mysterious place, not particularly compatible with such heroic self-assertion. And the human being who sets himself or herself up to live life only on their own terms, as the totally free expressions of their own wills, is going to come to a nasty end. However grand and imaginatively appealing the tragic stance might be, it is essentially an act of defiance against the gods (or whoever rules the cosmos) and will push the tragic hero to an act of inevitable self-destruction. We cannot have life entirely on our own terms for very long. What makes Oedipus so compelling is not that he suffers horribly a ...
... defended his king’s honor as well as his own, as Shakespeare showed a good man never backed down from a foe. In the later acts of the play, Shakespeare furthered the definition of a good man by portraying what a bad one was not. In ’s darkest hours, he showed no sign of prudence and logic as he slayed king Duncan, and hired assassins to murder his friend Banquo. Macbeth displayed his temerity in act IV scene 1 saying, "from this moment The very firstlings of my heart shall be the firstlings of my hand. And even now, to crown my thoughts with acts, be it thought and done;" Macbeth was no longer the logical, thinking man whom many admired. He had become ...
