... Montag is described as a "minstrel man" (4). He is a fireman who "never questioned the pleasure of watching pages consumed by flames." (Back cover). He is a brave individual who decides to rebel against society. Montag meets a crazy and imaginative seventeen-year old girl named Clarisse McClellan. She tells him of a time when firemen used to put out fires instead of making them. After that, Montag and the other firemen burn a house filled with books and burn its owner. "They crashed the front door and grabbed at a women, though she was not running , she was not trying to escape." (38). This incident makes Montag start to think that there is something important ...
... Only Paul at first could hear the real truth from his rocking horse. The rocking horse would tell Paul who the winner of the race would be. Paul and his uncle Oscar used this information to gamble on horss and were able to win piles of money. This money he gave anomously to his mother to use for anything that was needed. it was one night that Paul was riding his horse at full speed when suddenly a blaze of light hit him up. He screamed, "Malabar!" Then he fell off with a crash that would put him into unconsciousness; he never did recover from that fall. He died later that night. Paul needed his rocking horse, without it he would never have felt that luck. Luck gave ...
... really concentrates on is Jesus and her not being killed. The action in the entire story surrounds and normally begins with something the grandmother has said or done. At the very beginning of the story, she starts off by stating that she does not want to go to Florida. She would rather go to east Tennessee and tried anything she could to change Bailey’s mind (Page 426). Later in the story, as they began the trip to Florida, the grandmother talked the entire time. She would tell stories of her youth to the grandchildren and lecture them about being more respectful to their native state, and to their parents. Although the grandmother is the protagonist, it is ...
... the same sense has become more exciting with more violence and action. The plots in the two stories are similar in structure and pattern of action. They both include violence and regretful lessons learned the hard way, and seam to involve similar events and characters. A definite change in Boyle’s plot over the course of the two stories however, is the loss in significance and importance of the plot and the take over by setting and character instead. A well-defined thread connecting the two stories are the plot similarities. In both stories, the characters attempt to be what they are not. The plot revolves around this central theme and shows them doing things ...
... respected by Brown to try to show him that it wouldn't really be that bad if Brown joined the witches' plan. Secondly, when Goody Cloyse is encountered, Brown learns how she truly feels about him. Goody Cloyse freely takes up the Devil's staff. Proud of himself for denying the Devil, while again using his wife's name to strengthen his resolve, Brown discovers that his respected Minister, Deacon Gookin, is a servant of the Devil. When Brown learns that his wife has given into the temptation of the Devil, the Christian belief he is struggling to keep is shaken from him. "My Faith is gone!" "There is no good on earth; and sin is but a name. Come, devil! for to thee ...
... to add more passion to his writing and emotion to his words. His use of connotation is concurrent with imagery in the last line of the third stanza when he writes, "A burning forehead, and a parching tongue." By using these two literary elements in conjunction with each other he was able to create larger emphasis over that statement. Allusion is the technique used to refer back in history or literature. Authors and poets both use allusion to bring content and a realistic environment to the work. Keats tells of the dales of Arcady, adding to his work, another dimension of reality. Irony is the discrepancy of what is expected to happen and what really ...
... "It was not a glance of reflection, but rather indicated a suspension of intelligent thought." Louise is not grieving over her dead husband or having negative thoughts about her future. She realizes that she will have freedom through her husbands death and whispers over and over, "free, free free!" Her unhappiness is not with her husband, it is with her ranking in society because she is a married woman. Becoming a widow is the only chance she has to gain the power, money, respect, and most importantly freedom. Mathilde Loisel's chances for freedom are decreased because she comes from a middle-class family of clerks. "She had no dowry, no expectations, no means of b ...
... and pity are excited by the tragic hero’s fate serve to warn the spectator not to similarly tempt providence. This interpretation is generally accepted that through experiencing fear vicariously in a controlled situation, the spectators own anxieties are directed outward, and, through sympathetic identification was the protagonist, his insight and outlook are enlarged. Also, as importantly and significantly, Aristotle introduced the term hamartia, the tragic flaw, or an inherent defect or shortcoming in the hero of a tragedy. Aristotle casually described the tragic hero as a man of noble rank and nature whose misfortune is not brought upon him by villain ...
... to see greatness. Aberham Lincoln was a revolutionary in his time with his views on slavery and forgiveness of the South. Yet his death was the result of one man's refusal to accept what was once a proud and rich land reduced to tatters- left to ruin because of her failure to accept civil reform. Herman Melville's work in Moby Dick was considered a classic, yet Melville died a figure with lost prestige, poor and unaccepted. When he was laid to rest in 1891, he was remembered only as the author of entertaining novels of the South Seas. It was not until 1920s when his place in America's foremost writers was assured. His works are now great masterpieces of emotion tha ...
... sister, rebels against Creon and buries her brother, denouncing the decree as an offense against the "law of God." Polynese, Creon's son, pleads with his father to listen to his citizens and empathize with Antigone's action. However, Creon is determined to make an example of Polyneices and demonstrate his power over the people of the state. Antigone is banished to a stone cave to die alone. Creon's pride came to be his major flaw as demonstrated during the reversal sequence in the play. A blind prophet, Theresies, calls upon Creon and informs him of the doom that would befall him as a result of his actions. After hearing this, Creon rushes to bury Polyneice ...
