... them on younger strengths while we Unburdened crawl to death..." (Act I, Sc i, Ln 38-41) This gives the reader the first indication of Lear's intent to abdicate his throne. He goes on further to offer pieces of his kingdom to his daughters as a form of reward to his test of love. "Great rivals in our youngest daughter's love, Long in our court have made their amorous sojourn, And here are to be answered. Tell me, my daughters (Since now we will divest us both of rule, Interest of territory, cares of state), Which of you shall we say doth love us most? That we our largest bounty may extend where nature doth with merit challenge." (Act I, Sc i, Ln 47-53) T ...
... and clearing my head for the game, or getting stronger by going up against bigger people, basketball will be socially, mentally, and physically helpful. ...
... revenge on another family. In structure, there can be no doubt, that both Montresor's plan of revenge and Poe's story are carefully crafted to create the desired effect. Poe writes this story from the perspective of Montresor who vows revenge against Fortunato in an effort to support his time-honored family motto: "Nemo me impune lacessit" or "No one assails me with impunity." (No one can attack me without being punished.) Poe does not intend for the reader to sympathize with Montresor because Fortunato has wronged him, but rather to judge him. Telling the story from Montresor's point of view, intensifies the effect of moral shock and horror. Once again, ...
... greed, and Europe's darkness. Kurtz comes to the Congo with noble intentions. He thought that each ivory station should stand like a beacon light, offering a better way of life to the natives. He was considered to be a "universal genius": he was an orator, writer, poet, musician, artist, politician, ivory producer, and chief agent of the ivory company's Inner Station. yet, he was also a "hollow man," a man without basic integrity or any sense of social responsibility. "Kurtz issues the feeble cry, 'The horror! The horror!' and the man of vision, of poetry, the 'emissary of pity, and science, and progress' is gone. The jungle closes' round" (Labrasca 290). Kur ...
... looking for something , and everywhere I turned someone tried to tell me what it was . I was looking for myself and asking everyone except myself questions which I , and only I , could answer . It took me a long time and much painful boomeranging of my expectations to achieve a realization everyone else appears to have be born with : That I am nobody but myself . But first I had to discover that I'm an invisible man ! (Ellison 448 ) In this passage we see the boy's lack of identity . Throughout his life , the narrator lets others define who he is, and believes that he is what they tell him to be.. He refuses to ask himself : " who am I and what do I want ? " ...
... at Carvers Fires, a collaborations of essays, poems, and stories, we can see the realism of each character, and in doing so, reflect them upon Carver for some likeness. But is this truly where the characters come from? Are they just a reflection of Carver and his life? In private desperation, Raymond Carvers characters struggle through their lives, knowing, with occasional clarity, that the “good life” they had once hoped would be achieved through hard work, will not come about. In many ways, Carvers life was the model for all of his characters. Married to Maryann Burke at nineteen, and having two children in the space of seventeen months, the Carver ...
... those relations between King Lear and his two eldest daughters (Regan and Goneril), between Glouster and Edmund and also between Edmund and Edgar. Lear and Cordelia; Lear and Kent; Glouster and Edgar include those bonds that are existent at both the beginning and conclusion of the play. By the ending of the play, Lear is able to come to terms with himself and with nature. For the rearrangement of the bonds, it is necessary that those based on money, power, land, and deception be to abandoned. In the case of Lear and Goneril and Regan, his two daughters have deceived their father for their personal gain. Furthermore, they had not intended to keep the bond with ...
... outer room, lit with soft and shaded light, implies poverty, where as the inner room, illuminated with bright candles, expresses wealth. The darkened room, insinuating poverty, is the office in which the poor Old Ekdal 'does some extra copying,' and in return receives a small income. The inside room, representing wealth, is Old Werle's dining room where he was hosting a party. The distinctions of these two lit rooms contrast Old Ekdal and Old Werle. "In contrast to Werle's party, the lighting is of comparative poverty 'on the table a lighted lamp'"(190), explains critic, F.L. Lucas. Unlike Old Werle's expensive and exquisite illumina ...
... Willy fails to deal with reality. He has a tendency of living in the past and thinking of the future. He always thinks that if he had done something differently then this could have happened, or things will get better as time passes. His habit of distorting the past, never allows Willy to realize what is going on right then and there in the present. At one time, when Willy goes off down memory lane, he "says" to Biff and Happy, "America is full of beautiful towns and fine, upstanding people. And they know me, boys…the finest people…there’ll be open sesame for all of us, ‘cause one thing boys: I have friends. I can park my car in an ...
... a boy must make his own jackknife he learns more than another boy who is taught how to do the same work and merely given a jackknife. The boy who has done his own work has achieved the knowledge through experience; he has learned more because he has had to teach himself what to do. The other boy is merely a parrot mimicking the strategy of someone else, he hasn’t had to apply his own thoughts to the work, and he has only had to copy someone else’s work. Thoreau emphasizes his point on learning through experience and nature throughout his book. “But while we are confined to books…we are in danger of forgetting the language which all things and events s ...
