... long after the creation of the Theban Trilogy. In the context of his own time, this was meant to imply that life must be examined and reflected upon, known and discovered by each individual philosopher to better enrich life for all. Yet in terms of Sophoclean drama, specifically Oedipus Rex, this was meant in a vastly different way. The unexamined life was one that was in the dark, unknown as to what fate lied beyond every turn and irony of living. Oedipus, up to the point in which he heard the comment in the tavern in Corinth, lived an unexamined life. To Socrates, he was an unfulfilled man, one who deserved to know more, one who not complete. However, in a much le ...
... me and I’ll—“(57) This just proves what I was saying about one of Stanley’s moods. His violence and the fact that he looses control of his actions is one characteristic which I didn’t particularly like at all about Stanley. Here’s another passage in Scene 10 that really show’s how mean Stanley really is. This scene depicts when Stanley gets into a fight with Blanche. The scene concludes on a sour note when Blanche breaks a bottle top on the table and try’s to hurt Stanley . Stanley says: “Oh! So you want some rough-house! All-right, let’s have some rough-house!”(130) Stanley grabbed Blanche̵ ...
... that way that she is disconnecting herself from any responsibility. One could immediately say that this is because of her position at the time. Behn, being a woman, faced many prejudices from male writers and critics, although she was praised by some. Yet the anthology introduction states that she openly signed her name and talked back to critics. If this is true why would she be afraid to take a more open stance towards the question of slavery. Why does the antislavery perspective have to come from a slave, someone who is obviously going to be antislavery and not that of someone with a higher rank in society whose feelings toward the issue would be more cons ...
... day, is a small night." In his own words about words he reminds us of the "curious and potent, inexplicable and irrefutable magical life language leads within itself" -- not entirely unaided, of course, by wide margins, Devonshire-cream paper, and clear type. Speaking of which, I am happy to report that his publisher felicitously chimes Mr. Updike's Pennsylvania-Dutch tones with a Linotype contribution named for Janson, a Dutchman. And paper made at Spring Grove, Pa. Over Territory and Time The stories in "Pigeon Feathers" float from Pennsylvania to England, to New England, to New York, and always back to Pennsylvania. In general outline and under various names th ...
... truly caring for and loving Kate, despite the front he puts up having his true identity revealed. As a result of this Katherine, whom we thought would never love anyone, at the end of the story is the only wife who comes when she is beckoned. The other wives only make up excuses. This shows how Kate has a mistaken identity becuase she appears rude and insolent. This situation is one of the ways Shakespeare uses mistaken identity to display theme. Another part of the theme is that when a person changes outfit's and roles, their personalities and attitudes stary the same. The first and most prominent role change is the one between Lucentio and Tranio. Lucentio, in ...
... Caesar for their king?et I love him well."(act 1, scene 2, ll.85-89), as he is speaking to Cassius. Brutus loves Caesar, but would not allow him to "climber-upward?e then unto the ladder turns his back?(act 2, scene 1, ll.24,26). As the quote says, Brutus would not allow Caesar to rise to power and then turn his back onto the people of Rome. After the assassination of Julius Caesar, Brutus talks to Antony about Caesar? death. "Our hearts you see not; they are pitiful; and pity to the general wrong of Rome?(act 3, scene 1, ll.185-186). Brutus says that Antony cannot see their(members of the conspiracy) hearts, which are full of pity. Again, this shows how Brutus ...
... much of her behavior it seems that at times she does. Maria and Little Chandler are very inadequate thereby not allowing themselves to achieve their full potential. This inadequacy is stressed throughout Clay and A Little Cloud and is emphasized by Maria’s and Little Chandler’s very childlike appearances and mannerisms. Maria is described as a “very, very small person” (Clay, pg. 87) as Little Chandler “gave one the idea of being a little man.” (Cloud, pg. 60) Little Chandler’s “frame was fragile...his voice was quiet...his hands were white and small” (Cloud, pg. 60) and he had a row of “childish w ...
... that will be his downfall. If he was willing to go to prison and make sacrifices for what he believed in or wanted he would have much more power than he has now. Abasalom is a good example of corruption that doesn’t come from the heart. Unlike John, Abasalom does not want to be corrupt, and he is not proud of what he has done. When he killed Arthur he was horrified, and when the police found him he didn’t deny what he had done, but confessed. Abasalom was corrupted by Johannesburg and by his “friends”, and was a victim of circumstance. Allan Paton presents Johannesburg as a nest of corruption in the book. As a matter of fact all the other corruption mentio ...
... others got it merely by having sex with casual partners. The decision to pick this array of patients again strengthens the fact that Dr. Zuger is trying to tell us that it is possible to get AIDS in many ways and that just because one is having casual sex does not mean that he is immune from its effects. These are probably a few reasons why Dr. Zuger chose them for her book. 2. The human frailty that Deborah Sweet possessed was that she was untrustworthy, she was always trying to get Dr. Zuger to get something for her such as prescriptions for drugs that would sell on the street or get her to write her a note to be allowed to miss court. The human frailty that ...
... of my Journey, and shall be so of my first Entry into that City, that you may in your mind compare such an unlikely Beginning with the Figure I have since made there. I was in my working Dress, my best Clothes being to come round by sea. I was dirty from my journey; my pockets were stuff’d out with shirts and stockings; I knew no Soul, nor where to look for lodging. I was fatigu’dwith Traveling, Rowing and Want of Rest. I was very hungry, and my whole stock of cashconsisted of a Dutch Dollar and and about a Shilling in Copper. The latter I gave the People of the Boat for my Passage, who at first refused it on Account of my Rowin ...
