... the school is that he's attending, the more crooks there are. He says when he goes to visit Mr. Spencer that he's not too crazy about sick people. He doesn't like how Catholics stick together and he doesn't like intellectuals. He hates the phoniness of people and says, "it drives me crazy. It makes me so depressed I go crazy. He calls the athletes bastards, and just about everybody else a moron. On his way out of Pencey he yells, "Sleep tight, ya morons." And rather than referring to a person as 'that guy' or 'the blond girl', he calls people perverts, screwballs, pimpy- looking guys,whory-looking blondes, dopes, jerks, corny, and ignorant. His hatred is no ...
... he challenges the position that he has been given and thus his family and indeed the entire nation, descend into disorder and chaos. The storm is symbolic of this occurrence, the weather imitates the state of men. "One minded like the weather," the gentle man recognises the disquiet and unrest of the storm, as a manifestation of the turbulence in Society at the time. He is not only responsible for the harmony of a nation, as the father figure it is also his duty to maintain harmony in his house. This he does with little success when "bribes" his daughters to fuel his own ego. "Which of you shall we say doth love us most,/That we our la ...
... or someone else's child. People may have believed, or half-believed, in the fairies. They might also have been imaginary figures of fun that personify nature. Another kind of medieval play in contrast with Midsummer is Everyman it refers with death directly along with the metaphor "life is a precious possession." If you have many rituals, you must "invest" them wisely and use them as you should use material goods, in a charitable way. In the late 15th century English morality play, Everyman, is summoned by Death, he cannot persuade any of his friends to go with him, except for Good Deeds. Death demands the account book from Everyman and tells him to prepare f ...
... represents the Gentleman in his youth by having confidence and inexperience. The old waiter is just coming out of middle age and even though the old waiter is poor he still understands that the money doesn’t matter. Also, the Gentleman can relate to the old waiter because he doesn’t believe money is significant either. So, the more the old man drinks the more these images of his inner self come out. Every night the Gentleman thinks what it would be like to be able to go home to his wife he had once been with and how the clean and pleasant café is a waste of his time. The younger waiter shows this when he says, “I want to go home to bed&# ...
... while running to his room to pack. He could not help feeling the guilt of virtually killing Sokpae so he left the family. Sogun had thought that running away would make him lead a guilt free life. While leaving the house the voice of his grandfather stayed in his mind. He remembered his grandfather saying: “Everything in here is yours.” (Kiwon 494) Sogun knew what he did was wrong and what he did wrong led to Sokpae’s death. And for this he left so that he could not cause anymore problems or troubles to his grandfather and his uncle. His guilty conscience had overcame him making him feel like everything would have been better if he hadn’t gone to live wi ...
... a cliff that went down to a road. When he started going down the cliff he slipped and the next thing he knew he was lying down in the middle of the road. A family named the Beans drove down the road and picked him up. They took him back to their house and fed him and took care of him until he was better. Eventually Jon remembered his name, but he didn’t know anything else. Later the Gilbys came over to the Beans house and asked if they knew where Jon was, but the Beans hid him and the Gilbys never knew. Jon was kept in hiding until the Gilbys found a pair of boots that they thought they had seen before on Jon. Jon was caught and accused of many things like the ...
... say to this person “the world today” or “life” or “reality” he will assume that you mean this moment, even if it is fifty years past. The world, through his unleashed emotions, imprinted itself upon him, and he carries the stamp of that passing moment forever. (32) This statement explains that Gene must have something that is his “stamp.” This stamp appears to define an individual-exemplifying what he stands for. It is found that this is true in the next paragraph where Gene continues, “For me, this moment-four years is a moment in history-war the war. The war was and is reality for me. I still live and think in its atmosphere” (32). Later in th ...
... The second and more important reason is that he has good news for Odysseus, relative to what has happened so far. On the other hand, in Oedipus the King, Tiresias skirts around telling Oedipus the truth. In fact, he initially refused to tell Oedipus anything at all, seen in such lines as “You’ll get nothing from me” and “I’ll never reveal my dreadful secrets.” The important thing is that when Oedipus got Tiresias angered, Tiresias bluntly stated that “[Oedipus is] the curse, the corruption of the land.” When Oedipus responds to this, which will be discussed later, he continues to berate Tiresias for ‘lying’. Following that, Sophocles uses Tir ...
... reserved family. Guitar introduces Milkman to Pilate, Reba, and Hagar, as well as to normal townspeople such as those that meet in the barber shop, and the weekend party-goers Milkman and Guitar fraternize with regularly. However, despite their close friendship, the opportunity to gain a large amount of gold severs all their friendly ties. Guitar, suspecting Milkman took all the gold for himself, allows his greed and anger to dictate his actions and sets out on a manhunt, ready to take Milkman down wherever and whenever he could in order to retrieve the hoarded riches. Guitar's first few sniper attempts to execute Milkman did fail; however, the ending of the nov ...
... personally finds more significance in the inner meaning of an issue rather than its surfacing argument. Cawelti’s Western formula holds a strong assumption that men are assertive and women are insignificant. He is standardizing the black and white of the West. There is an unequivocal struggle between good and evil—and guns and violence can only solve that. Jane Tompkins standpoint on a Western seems to be a middle ground between Cawelti and Crane. She recognizes that violence is a central theme to a Western, but as well explains how we think of violence. In this day of age, we as a society have prohibited violence as a means of solving problemsR ...
