... conduct as viewed by the masses in Ancient Greece. “Zeus hates with a vengeance all bravado, / the mighty boasts of men.” (lines 140 and 141) The notion that men should be reverent to the gods is the antithesis of what Creon initially embraces. “The power is yours, I suppose, to enforce it / with the laws, both for the dead and all of us, / the living.” (lines 238 to 240) Creon’s accepting the supposed power to enforce both the living and the dead reveals him as accepting a false superiority to the gods and thus angers them. The Chorus, in foreshadowing the story, relates its current events to those of its past. “… ...
... The first verse is a man remembering the past, remembering how weak and weary he felt. He remembers himself almost falling asleep next to the fire and a good book, and as he is just about asleep he hears a tapping at the door, which he considers is a visitor that he want to ignore. You can almost feel how tired he is and how he does not want to get up and answer the door. "Ah, distinctly I remember it was in the bleak December; And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; - vainly I had sought to borrow From my books the surcease of sorrow - sorrow for the lost Lenore - For the rare and radiant maiden ...
... it to prevent their future misfortunes, if there are any. Otherwise, how can someone enjoy the pain and the suffering of others? But like everything else tragedy has laws. One of the laws is Hubris. A Rose for Emily, by William Faulkner, can easily be classified as a tragedy. It is a repulsive story about a woman, who died just as she lived: lonely. Emily Grierson was a peculiar woman, who owned a large house, which was a mystery to many people. She never had any real friends and she never had a spouse. And when she started seeing a man, Homer Barron, everybody was assured that she would marry him. But Mr. Barron was as queer as Ms. Grierson was, so their m ...
... many stories and read so many books about native Americans and native American rituals that it was kind of getting a little old, but never the less I gave this book a chance and it turned out to be a good gamble. That was becuase this book was different in the sense that it got way more in-depth with the beliefs and different legends of the native Americans than all other books that I have read. That provided a new outlook and different feel which helped keep my attention. What I also found interesting was the similarity of the religious beliefs that these particular native Americans had to Seventh day Adventism. Not so much that they belived in the same people ...
... poem, found in "Experience," the feeling shifts from innocence to suggest a subversive course of love exploration. The young girl, Ona, discovers passion only to find that her father has a negative view on the very love she has just been introduced to. "A " seems to be much deeper in thought than "The ." This depth in content begins with the title, which gives the poem an aura of uneasiness. A feeling that it is dangerous or sinful stems from word "Little" in the title, which implies that the girl addressed in the poem is quite young. Other signs such as the fact that the prologue is addressed to "children" and that ...
... also be looked upon as superstitious. In the opening scene, one sooth-sayer, old in his years, warns Caesar to "Beware the Ides of March," an admonition of Caesar's impending death. Although sooth-sayers are looked upon by many as insane out of touch lower classmen, a good deal of them, obviously including the sayer Caesar encountered, are indeed right on the mark. Since they lack any formal office or shop, and they predict forthcomings without fee, one can see quite easily why citizens would distrust their predictions. Superstition, in general elements such as the Feast of Lupercal, as well as on a personal level such as with the sooth-sayers, is an important facto ...
... This says a lot about Ethan’s character. Not only is he very loyal, caring, and honest, but his morals and standards are something for everybody to admire. After reading this story, one might get the impression that Ethan got what he deserved for trying to leave Zeena. However, on closer examination, we can see that although he wanted to leave Zeena, not in a physical way but by death, he still couldn’t. His loyalty to his wife forbade him. We can see this when Wharton writes, “ But suddenly his wife’s face, with twisted monstrous lineaments, thrust itself between him and his goal, and he made an instinctive movement to brush it asid ...
... train station haveing a altercation about weather or not she should get a abortion. She does not want to. It is ovious in the things she says to the man. She says "I dont't care about me. And then I'll do it and everything will be fine"(1). She is saying that she only cares about him, and dose not care about herself. If she did care about herself, then she definatly would not get a abortion. She can not just tell him straight out that she wants to have this baby. The woman is so in love with the man, that she is willing to take the life of her unborn child. The man is in love with her as well, but also dose not want her to have the child. She was talking about ...
... between good and evil – heaven and hell. Whether implied or not by Jack London, White Fang is full of many interesting biblical symbols. The character Beauty Smith, for instance very simply put symbolizes Satan. This man, this creature so vile as to subdue yet another victim (White Fang) into his ever-growing underground slavery prison camps. The greed for money and profit is the only need for this “prison camp”; the dog-fighting gambling is their prison cell. A comparison between the bulldog Cherokee and death itself can be made. Once death has you, there is no way of escaping. When Cherokee had White Fang gripped between his jaws, ...
... are shown by her emotions; she has a very unfavorable temper and usually ends up getting her way by throwing tantrums. For example, in the forest scene, she sees her mother’s scarlet letter discarded on the ground, fusses and screams for her to put it back on, which eventually Hester does. Pearl is obviously a definite person, but she is also a definite symbol of many things. First, she is a distinct symbol of the relationship between Hester and Dimmesdale. She is a representative of the passion, which came with Hester’s sin of adultery. Second, she is an active reminder of Hester’s sin besides the letter A on her breast. And lastly, Pearl b ...
