... these protagonists are somewhat comparable. They both have a guiding figure as a friend who is there to indicate them. Finally, the relationships between the protagonists and the guiding figures are the one in which the protagonist is truly guided and complimented by his best friend. The protagonist in one book is similar in nature to the one in the other book, i.e. Gene Foster from A Separate Peace and John Wheelwright from . For example, the protagonist is definitely innately good but lacks to know the very self of him. This translates into a very vulnerable and an uncertain character, who must learn from the events that occur around him. Gene is a noble name ...
... this evil act of murder. These two quotes go together because first she is asking to be filled with the darkness of hell and then says later in the play that hell is murky. These two quotes show that she had asked to be filled with hell and then later after committing these sinful actions she describes hell as being dark and unclear. (2.2.82-83) Here in this scene is talking to Macbeth about the murdering of Duncan. Macbeth’s hands were red with blood from killing Duncan and says “My hands are of your color, but I shame To wear a heart so white.” This quote means that she is in the middle of this incident but she wishes not to be in it because of its br ...
... way of life and be accepted into his class to escape from her own. Her class is that of the middle class. Her husband, Wilson, owns a gas station, making an honest living and trying his best to succeed in a world where everything revolves around material possessions. With her involvement in Tom's class, she only becomes vulgar and corrupt like the rich. She loses all sense of morality by hurting others in her futile attempt to join the ranks of Tom's social class. In doing so, she is leaving behind her husband who loves her. Myrtle believes he is no longer good enough for her. "'I married him because I thought he was a gentleman.' She said finally. 'I thought he k ...
... black frost, and the air made [him] shiver through every limb." (WH-p.29) In fact, the word "Wuthering, being a significant provincial adjective, [is] descriptive of the atmospheric tumult to which its station is exposed to stormy weather," (WH-p.25) thus emphasizing the darkness and cruelty in nature. As in Dracula, the storm is a presence of sin and unnatural desires. After ejaculating that his "wretched inmates deserv[ed] perpetual isolation from [their] species of churlish inhospitality," (WH-p.29) for leaving the gate locked during a storm, Mr. Lockwood is let inside, by a woman whom he thinks is Mrs. Heathcliff. His experience here within this Gothic house in ...
... contemplates the separation of he and his friend Hopkins and after thinking it through, feels settled about it. “It made a good ending to the story.” (142) In fact, Nick doesn’t necessarily have to analyze his problems for his life to suddenly simplify, just being in nature and by the River calms him down. “From the time he had down off the train and the baggage man had thrown his pack out of the open car door, things had been different.” (134) Hemmingway uses the trout as symbolism for Nick, his constant struggle to make it up stream compares to Nick’s constant struggle with the strong currents of his life. Nick checks on the t ...
... sentence in present day. Or Hester can be seen as rebelling against a society where she was forced into a loveless marriage and hence she would be the "good guy," or girl, as the case may be. Also the townspeople, the magistrates, and Chillingworth, Hester's true husband, can be seen in both lights. Either they can be perceived as just upholding the law -she committed a crime, they enforce the law. On the other hand are they going to extreme measures such as wanting to take Pearl, Hester's daughter, away just because Hester has deviated from the norm, all to enforce an unjust law that does not even apply to this situation? ...
... gems of humor, and it will continue to fascinate as long as there is love. Shakespeare’s characters are certainly the most important part of A Midsummer Night’s Dream. All action must be carried out through them; all ideas must be transported to the audience through their moves and dialogue. The first and most obvious characters are the four mortal lovers. The women, Helena and Hermia, are respectively tall and fair, short and dark; there are no other notable differences between them. The men, Lysander and Demetrius, have no differences in personality that are remarked upon in the text of the play. Outside the walls of Athens, inside the enchanted forest, the c ...
... were astounding; yet I was sufficiently aware of her infinite supremacy to resign myself, with childlike confidence, to her guidance through the chaotic world of metaphysical investigation at which I was most busily occupied during the early years of our marriage. With how vast a triumph--with how vivid a delight...did I feel...that delicious vista by slow degrees expanding before me, down whose long, gorgeous, and all untrodden path, I might at length pass onward to a goal of wisdom too divinely precious not to be forbidden (Poe Modern Library ed., 657). But Ligeia grows ill. Even her intense passion for life could not save her from the Conqueror Worm. Her ...
... argue that the soul, the spirit, the essence of Dasein must be explained as well as the phenomena of existence in order to clarify the question “What does it mean to be (Dasein)?” Through the soul, Dasein may bridge the gaps of loneliness that occur in the solitude of single existence amongst Others. Psychology and morality provide excellent headquarters from which to launch this campaign in search of the soul of Dasein…How can one’s soul exhibit both concernful solicitude and care while experiencing existential loneliness in the face of Death? When looking at the temporality of Dasein’s existence, psychology corresponds to Heidegg ...
... was a comment about "raising the white flag" which symbolizes retreat, defeat, and weakness. "I think those brave enough to admit fault would find a... power at home: It's amazing how an apology, if it seems sincere, can dissipate another's anger.... Erich Segal got it exactly wrong. Love doesn't mean never having to say you're sorry. Love means being able to say you're sorry..., being strong enough to admit you were at fault." Tannen boldly stated (109). I agree with her, I don't think that saying you're sorry and admitting you were wrong makes you weak at all. In my family I was taught that admitting that you were wrong made you a stronger, better person ...
