... to conspire a way to get revenge on Othello. Iago knew that Othello valued honesty in Desdemona, and he tried to make him think that she was just the opposite, unfaithful. The play Othello was very much about jealosy. Jealosy played a big role in the play, and was the motive for Iago to conjure up a plan to ruin Othello. Iago was resentful because of the fact the Othello had gotten the job he wanted, and because of this Iago seeks revenge on Othello by ruining his life and career. Iago cannot accept that Othello meant no harm to him, and will not rest until he thinks he is even with him. Iago lies to Othello and makes him believe that Othello’s wife Desdemo ...
... today, a family engulfed in turmoil. "Who would have thought Jamie would grow up to disgrace us…Its such a pity…You brought him up to be a boozer." (110) In this excerpt from Mary’s conversation with James regarding their son, it is obvious that their life had taken a 180-degree turn from when their offspring were mere children with promise. Characterization throughout the play helps us not only to understand the characters’ actions but also to see into the soul of each and to comprehend their thoughts and emotions, essentially assessing the motives for their actions. Early in the play, Mary is perceived to be a common, traditional housewife & ...
... children born into any class should still be moved up or down based on their merits regardless of their connections or heritage. He believes the citizens of the State will support and benefit from such a system and presents the idea in the form of an allegorical myth. His allegory was based in part on the prevalent belief that some people were literally “autochthonous,” born from the soil, and partly from the stories of the philosopher Hesiod who chronicled the genealogy of the gods and goddesses as well as their accomplishments and exploits. Hesiod’s account of the Golden, Silver, and Bronze races which had succeeded one another before the current to “ ...
... "Pozzo drives Lucky by means of a rope passed round his neck." [15] Lucky is whipped often, and he is essentially the horse pulling Pozzo's carriage in a relationship that seems cruel and domineering. Yet Lucky is strangely compliant. In explaining Lucky's behavior, Pozzo says, "Why he doesn't make himself comfortable? Let's try and get this clear. Has he not the right to? Certainly he has. It follows that he doesn't want to...He imagines that when I see how well he carries I'll be tempted to keep him on in that capacity...As though I were short of slaves. Despite his miserable condition, Lucky does not seem to desire change. Perhaps he is happy, or maybe not miser ...
... significant and superior; people do not want to feel inferior, subordinate and insignificant. We are afraid that if we concede our fears, others will dismiss us as unimportant. This is even more true for an ambitious young man like Duddy. He springs from humble beginnings, but clearly, he is very eager to become a successful and powerful man. "...his bony cheeks were criss-crossed with scratches as he shaved twice daily in his attempt to encourage a beard." This clearly indicates to the readers that Duddy wants and tries to be someone that he is not. He wants himself and others to think that he is of great significance. The fact that his friends, family and others r ...
... I think she regretted not marrying Peter. Perhaps the movie would have been more interesting if Clarissa would have been more free spirited like Peter or Sally. Septimus did not have a well defined role in the film. He was constantly reliving his days in the war, and appearing to everyone that insanity has become him. His purpose was unclear, the story just jumped from Clarissa to Septimus. Whether he parallels or is an opposite of Clarissa, I don’t know. If Septimus was a parallel of Clarissa, then his character was played well, being that he, like Clarissa, constantly thought of the past, and never the future. Making the two most similar, yet they seem diff ...
... Many cases of hysteria were cured this way, and in 1895, Freud, along with another fellow physician, published their findings and theories on the study of hysteria. In The White Hotel by D. M. Thomas, the character Lisa does not exhibit the above form of hysteria, but rather a manifestation of reality. Her own reality has become too imprisoned, and she escapes it by creating another Lisa that is nothing like her person. The traditional psychoanalytical theory states that all human beings are born with instinctual drives that are constantly active even though a person is not usually conscious of them. Two drives, one for sexual pleasure and the other called aggr ...
... moral and social isolation is the worst evil that can befall aman" (Adams 73). Each of the characters above are separated from the world because of some sin or evil. Their separation is a painful, devastating feelings. The themes of solitude and isolation are depicted in Nathaniel Hawthorne's The Scarlet Letter, "Young Goodman Brown, "and "Rappaccini's Daughter." At the age of four, Nathaniel Hawthorne's father died, devastating his mother and destroying his family forever. He later recalls how his mother and sisters would "take their meals in their rooms, and my mother has eaten alone ever since my father's death" (Martin 10). Naturally, Hawthorne's mother' ...
... example of poetry writing in the Romantic Age, particulary its references to Greek mythological images and the celebration of natural enviroment. In the first part of the poem Keats forms a mental picture of a hemlock,which signifies a poisonous herb. He also creates a picture of a river of forgetfulness in Hades. Basically, the imagery Keats uses is that of Greek mythology and a fantasy world. In a different perspective, it is the end of one's life. Keats paints a picture , the desire to end one's life in a peaceful enviroment that is created by the Nightingale's song and light, and smells of the enviroment. In the first five lines of the poem the narrato ...
... deceive him? Is it real? He is unnerved but it does not take away his resolve to kill the king. His desire for the crown is stronger than knowing what is right. kills Duncan and is wracked with regret, fear, guilt, sorrow. This time he hears voices saying he has murdered sleep. He comes into his own chamber to his wife, bloodied and wailing and falling apart. He cannot believe what he has done. He obviously is not truly evil at heart but this 'milk of human kindness' he is able to push away to achieve his evilly-motivated goal to be king. After this first murder the idea of killing to be able to get what he wants seems less horrific to . He easily kills the king' ...
