... Shakespeare uses the symbol of blood to represent treason, murder and death. "Every act of blood is driven by fear." (Bloom 41). Blood is the most important imagery of Shakespeare's play, Macbeth. "The theme of Macbeth is reinforced by the imagery of blood." (Von Doren 338). Shakespeare mentions the word blood, or different forms of it often in the play. The best way to describe how the image of blood changes throughout the play is by following the character changes in Macbeth. First, Macbeth is a brave and honored soldier, but as the play progresses, Macbeth becomes identified with death and bloodshed, along with showing his guilt in different forms. The ...
... and saves him by fighting off over a dozen men. Cyrano then hears news that Roxane wants to meet him at Rageaneau's Bakery. The next day Cyrano goes to Rageaneau's Bakery and meets Roxane. She tells Cyrano that she loves Christian. He promises that he will help teach Christian. Cyrano also is known as a hero because he saved his friend and fought off over a dozen men. Cyrano meets Christian and tells him that he will help him win Roxane. The next night, Cyrano and Christian meet at Roxane's balcony. However, Christian refuses to take a letter Cyrano wrote for him to give to Roxane. Christian tries to explain to Ro ...
... second arrival, he offers More a letter from the King of Spain, he doesn’t lay a finger on it, for then he will be allying with the enemy. He further goes on to show it to Alice and everyone else that the seal has not been broken, thus showing that he has not read the letter. Even in the case of the Maid of Kent, More writes to her “advising her to abstain from meddling with the affairs of Princes and the State” (Bolt, p. 67). As a precaution, More gets it notarized and thus it is evidence in favor of him, not against him. Other then refusing every possible way of being disloyal, More uses silence as his main strategy. “He was a man with a firm sen ...
... modes of behavior to call attention to the behavior itself. Pope compares and contrasts. He places significant life factors (i.e., survival, death, etc.) side by side with the trivial (although not to Belinda and her friends: love letters, accessories). Although Pope is definitely pointing to the "lightness" of the social life of the privileged, he also recognizes their sincerity in attempting to be polite and well-mannered and pretend to recognize where the true values lie. Pope satirizes female vanity. He wrote the poem at the request of his friend, John Caryll, in an effort to make peace between real-life lovers. The incident of the lock of hair w ...
... lot like his father in the end. King Hamlet must have been a good father for his son to be so devoted and loyal to him. It almost seems that the Prince made an idol of his father. In Prince Hamlet's first soliloquy he described his father as an excellent king, a god-like figure and a loving husband. It is strange that the Prince did not convey information about being a loving father. It is left for us to infer that there must have been a special bond between father and son for the Prince to be so willing to carry out retribution against his father's murderer. Prince Hamlet changed after the death of his father. He is grief stricken certainly, but als ...
... eats their bread butter side down. Because of each group’s odd ways, neither side trusts the other. Each side sets up a border patrol with mild protection. Over the course of the book, the weapons get more complicated and powerful until each side invents "the bitsy big-boy boomeroo," a very powerful bomb. Each side is ready to destroy the other when the books ends. These groups could represent the nuclear opponents of the time, mainly the United States and Russia. "In this book Dr. Seuss turns didactic and calls up many moral arguments adults make against nuclear proliferation." (Lystad 1) This book "ends without resolution of the issues" (Lystad 2) and lea ...
... personality is the trust she has in others. This is one of Esperanza's weaknesses as an individual because it allows her to be gullible and vulnerable. In 'Cathy Queen of Cats' Esperanza's gullibility is obvious when Cathy tells Esperanza that "...[her] father will have to fly to France one day and find her...cousin...and inherit the family house. How do I know this is so? She told me so.". Another error in trusting others is that Esperanza is susceptible to betrayal. In 'Red Clowns' Esperanza is betrayed by Sally because Sally told Esperanza that the circus would be a fun experience, but instead she was raped. Esperanza blames ...
... for my father." (4,5,131) This quote provides insight into Laertes' mind displaying his desire for revenge at any cost. In contrast to Laertes' speculation of his father's killer, Hamlet presumes the person spying on his conversation with his mother is Claudius. After Hamlet kills Polonius the Queen says "Oh me, what hast thou done?" (3,4,24). Hamlet responds "Nay, I know not. Is it the King?" (3,4,25) Sudden anger prompts both Hamlet and Laertes to act spontaneously, giving little thought to the consequences of their actions. Hamlet and Laertes share a different, but deep love and concern for Ophelia. Before his departure for France Laertes gives Ophelia advice ...
... lessons than they could hold. His children were brought up only knowing one way to live and that was the idea that if it is not fact, then it is false. He was emotionaless as were his children because they were brought up only knowing what they were taught by him. Eventually, as Gradgrind’s children became older, what they were taught began to turn sour in their minds. Tom, Grandgrind’s son, began to despise his father and all he was taught and thus began to rebel. He took to smoking and gambling, which eventually led to his downfall. Tom had grown up to become a sycophantic, self-absorbed parasite. He had turned out the exact opposite as hoped. Thomas Gradgri ...
... more importantly, the way the characters are portrayed. While the old concept of “whatever doesn’t kill you makes you stronger” is present in both the play and the film (particularly in the characterisation of Paulina), it is much more prevalent in the movie. We can see Paulina’s strength from the start. As she strides confidently around the house and violently tears off a piece of chicken, the suggestion that she is unsuited to the domestic position which she has obviously been forced into by the side effects of her traumatic experience need not be made any clearer. Although possessing remarkable strength in both texts, the movie shows a muc ...
