... next. One example of a missed thematic expression occurs on pg. 39, the last two paragraphs "I…" to "…sorry." This in itself seems insignificant but when compared to an incident that takes place later, on pg. 194 beginning "Well…" and ending with "… right.", it shows how although many things had happened Jake Barnes’ feelings for Robert Cohn had not truly changed. This gives a very good example of the theme that everything comes back around again. Another example of this appears on pg. 148 "Perhaps…about." This section shows how the main character, Jake Barnes, does not care if he truly learns anything in life and only wants t ...
... economic, political, and social needs of African Americans at the turn of the century and determine if the philosophies of Booker T. Washington, WEB DuBois, Martin Luther King and Malcolm X can eliminate some of these issues. The number one problem in for Black societies is the lack of economical development. True, there are Black owned business, but the businesses do not provide longevity in the communities. For example, in my community there was a soul food restaurant that just open up and before you could blink an eye it seem as if some on else other than Black American bought out the owners. Eventually that business will be passed down through the bloodline ...
... have been a good idea 2300 years ago, but today, I see it as very limiting and impractical. In his time, only the rich aristocrats went to school. It’s purpose was not for the students to learn skills or ideas that would help them later in life, but to expand their minds, thus making them into ‘better people.’ There was no need for them to learn any job skills. Back then, if you came from a rich family, you were rich. Working at simple jobs was for the peasants and slaves. Today, life is different. Our society is completely unlike that of the ancient Greeks. We have no caste system limiting the wealth and prominence of any citizen, we have no slaver ...
... So virtuous, modest, through and through!" (2610-1) Even Mephistopheles acknowledges her virtue. He calls her an "innocent, sweet dear!" (3007). Goethe further identifies Gretchen as a saint when Gretchen's bedroom becomes a shrine to Faust. Faust uses religious language to describe the room. "Welcome, sweet light, which weaves through this sanctuary. Seize my heart, you sweet pain of love, you that live languishing on the dew of hope! How the feeling of stillness breathes out order and contentment all around. In this poverty, what fullness! In this prison, what holiness!" (2687-94) Just from being in her room, he feels spiritual sacredness, often associated with s ...
... a short deft movement Tom Buchanan broke her nose with is open hand. (41) Tom was a spoiled brat who is used to getting everything he wants. This could have been a factor when he told Nick: That fellow had it coming to him. He threw dust into your eyes just like he did Daisy's but he was a tough one. He ran over Myrtle just like you'd a dog and never ever stopped his car. (187) Tom only wanted Daisy back because she wasn't interested in him any more. So in the end he threw Gatsby to the lions, Gatsby's death was Tom's fault, he told George Wilson that the car that hit Myrtle was Gatsby's. That was just as bad as pulling the trigger that kil ...
... was her only problem and had no one else to blame for what she had done to herself. She was the blame for her own shortcomings. She took the suggestion that were given to her: live and let live. now she has a new motto, which is to live her life one day at a time. Finally, after getting treatment, she understood that she needed support. When she got out of treatment, she attended her firs AA meeting, which was one of the suggestions that was given while she was in treatment. Today she still continues to attend my meetings. Taking her recovery very serious today. She feels as though she dose not attend her meetings, as she should because of her class schedule. Howe ...
... occurs during a marriage in this time that is probably the most important factor, not how the couple gets along or likes each other. Austen plays on this social behavior and seems to be making a statement. Therefore, I believe that is a social satire. The language of is astonishingly simple and the verbiage frugal, especially for the period in which it is written. There is no drastic action or heroic characters; however, Austen convincingly 1 develops character with it, and her characters, each with their own dialogue and languistical nuances, stand apart very well. Another interesting note about her characters is that at the end of the novel, all of her character ...
... of fire from Brutus" (I, ii, 175-177). By this, he means that his words have lit a flame, or triggered a though in "the great" Brutus's head. Decius uses flattery and persuasion when speaking to Brutus. Decius is an active member of the Conspirators so he is very motivated into getting Caesar to go to the Senate House. The first thing that Decius says when he walks into Caesar's house is "Caesar, all hail! Good morrow, worthy Caesar" (II, ii, 58). Decius also goes on and calls Caesar "most mighty". Decius is already on Caesar's good side. After catching up on Calphurnia's dream, he uses his quick wit to distort Calphurnia's foreshadowing dream by sayi ...
... He seems to adore his father, but he really doesn't. He finds out that his father has an affaire, and he looses all respect for him. He ends up forgetting everything Willy said, and steals something from every job that makes him loose it. He wants to change his father, and will do this by shockingly awakening him to the reality that something is wrong with him, and Biff tries to get his father to stop trying to kill himself. He wants his father to love him like he loves his father, but he will not, because of his mood swings, and the fact that sometimes he just hates Biff. Biff is a no nonsense kind of guy. He gets straight to the point, and doesn't beat around ...
... end of the poem, therefore, a sense of common responsibility and guilt. Early in the poem, Eliot creates a world of desolation. The idea of dryness is emphasized by the repetition of the word "dry" in the first stanza, where we read of "dried voices," "dry grass" and "dry cellar." When he mentions the sound of "rats feet over broken glass" he succinctly and subtly prods at our anxieties about urban disease and decay, showing us a sort of fleeting snapshot, almost subliminally planted, and raising in us an instantaneous reaction of revulsion. Eliot then mentions the dead, calling them "Those who have crossed...to death's other kingdom." These people are made real ...
