... the speaker of the poem and the "love-cars" (Lowell 11) being watched. Even if the occupants of those cars knew they were being observed, chances are they would not associate themselves with the speaker. In addition, Robert Lowell portrays his character as something akin to a stalker, illustrated in the following excerpt. One dark night, my Tudor Ford climbed the hill’s skull; I watched for love-cars. (Lowell 25-27) Why would anyone be out alone, searching for lovers who do not desire intrusion? The speaker answers this question in the second half of the stanza. ...
... just the color of her skin. Another person who is treated like an inferior is Scout by her teacher, because she knew how to read. "She discovered that I was literate and looked at me with more than faint distaste. (p.17)." Scout is treated like it is her fault that she knows more than the average child did. She learned earlier than others so she gets punished unjustly. Tom Robinson is also one who is discriminated by a biased community. Tom is found guilty by the jury in his case against the Ewells (p.211). The guilty verdict is a direct result of a racist community. Tom was never given a fair chance in the trial, even though that the evidence was proving him in ...
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... the lines, I have discovered some racism Conrad felt toward the natives that I had not discovered the first time I read the book. Racism is portrayed in Conrad's book, but one must acknowledge that back in the eighteen hundreds society conformed to it. Conrad probably would have been criticized as being soft hearted rather than a racist back in his time. Conrad constantly referred to the natives, in his book, as black savages, niggers, brutes, and "them", displaying ignorance toward the African history and racism towards the African people. Conrad wrote, "Black figures strolled out listlessly... the beaten nigger groaned somewhere" (Conrad 28). "They passed m ...
... well. " '[Jack's] going to beat Wilfred.' 'What for?' 'I don't know. He didn't say. He got angry and made us tie Wilfred up.' " (Page 176) Jack beat up a kid, Wilfred, without a valid reason, because he had done something Jack did not like. Other comparisons are Simon, who represents heroes and philanthropists because he wanted to always help others, and Piggy, who represents the scientists and advisers for his ideas and the advice, which he gives to Ralph. Roger represents the criminals and sadists because he abuses and wants to kill others and does not feel any remorse for what he does. These groups of people are evident in life and in most stories. Most ...
... Donne wrote letters, elegies, satires, epigrams, devotions, sermons and poems. His songs and sonnets are loved by audiences and "The Flea" written for fun would have to one of them. In the poem it demonstrates the sophisticated wit which Donne approaches seduction in his . The poem is arguably a performance designed to show the reader how cleverly thought an argument could be twisted rather than a genuine attempt at courtship. The poem is made up of three stanzas each one having a different argument to put across. It is an extended metaphor with the flea and its actions compared to the narrator and the mistress. A flea goes around his daily business by landin ...
... sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path that one encounters. In an attempt to make a decision, the traveler "looks down one as far as I could." The road that will be chosen leads to the unknown, as does any choice in life. As much as he may strain his eyes to see how far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the path that he chooses that sets him off on his journey and determines where he is going and what he will encounter. In the second stanza, Frost lets the reader know that the traveler ...
... Their wings developed into flippers, which serve as paddles to help propel them in the water. They also have webbed feet which when combined with the flippers make them excellent swimmers and divers. The species are divided into four groups for easy identification. The groups are as follows, I. “Large, with orange or yellow patches on the sides of the upper neck (Species 1-2). II. Medium-sized, crested with orange or yellow lines on each side of the crown above the eyes (Species 3-8). III. Medium-sized, with no crest or yellow colour on the head, but usually with stripes of white or black on the head or breast (Species 9-14). IV. Small, with out cre ...
... retirement, preparing to divide the kingdom among his three daughters. Lear has his daughters compete for their inheritance by judging who can proclaim their love for him in the grandest possible fashion. Cordelia finds that she is unable to show her love with mere words: "Cordelia. [Aside] What shall Cordelia speak? Love, and be silent." Act I, scene i, lines 63-64. Cordelia's nature is such that she is unable to engage in even so forgivable a deception as to satisfy an old king's vanity and pride, as we see again in the following quotation: "Cordelia. [Aside] Then poor cordelia! And not so, since I am sure my love's More ponderous than my tongue. " Act I, ...
... show that a romantic tension between the principal characters can only be experienced once in the whole story. In chapter two Katharine Anne Porter's short story Rope will be discussed and the fact will be proved that an insignificant incident can lead to very serious violence and various kinds of tensions between a married couple. In addition the tension comes into being through what is not said that is through repressed feelings. I will also speak about the fact how persons through mental violence come back to the 'original' situation between two lovers. To a situation where tension must be explained as love tension but where there are many things not spoken abou ...
