... his room before he and Finny leave for the tree. It surrounds him with the shock of his true self until he finally reacts by jouncing the limb. Up in the tree, before the two friends are about to make their "double-jump", Gene sees Finny in this new light. He realizes that Finny feels no jealousy or hatred towards him and that Finny is indeed perfect in every way. Gene becomes aware that only he is the jealous one. He learns of his hatred and that he really is a "savage underneath". Over a long period of time Gene had been denying his feelings of hatred towards Finny. Now all of the eelings come back to him and he sees how terrible he really is. The real ...
... their secret, they would have made their children's lives miserable. Romeo and Juliet would not have been able to see each other. Both of these families were very stubborn and there was hardly any thing that would have made them become friends. In the prologue we learn that the only way the "strife" could be ended was by the deaths of Romeo and Juliet. "Doth with their death bury their parent's strife". (Romeo & Juliet, Prologue, l.8) Neither the Montagues or the Capulets would have accepted the marriage. Keeping the marriage a secret caused Romeo and Juliet to turn to other people for help. Sometimes these people gave them the wrong a ...
... it is set against the social machinations of many other figures; the haughty Lady Catherine de Bourgh, the fatuous Mr. Collins; the younger Bennet daughter, Lydia; and her lover, Wickham, with whom she scandalously elopes. It is often pointed out that Austen's novels emphasize characterization and romanticism, but in Pride and Prejudice the emphasis is on the irony, values and realism of the characters as they develop throughout the story. Jane Austen's irony is devastating in its exposure of foolishness and hypocrisy. Self-delusion or the attempt to fool other people are usually the object of her wit. There are various forms of exquisite irony in Pride and Prejudi ...
... a good childhood may make or break an individual in the future. As stated, "a good or bad environment promotes good or bad memories, which inspire a good or bad mood, which inclines us toward good or bad behavior"(132). Each and every day we interact with one another, playing a different role from interaction to interaction; however, one tends to keep his or her surroundings as predictable as possible. The reason being one feels closer to being in control when the outcome becomes predictable, thus, creating confidence in one's performance at any given task. describes the behavioral differences picked up as soon as someone enters a bar or an office. One changes fr ...
... is brought with it. In The Age of Innocence the setting is New York. The characters in the story feel very much at home, but are not in a sense. Except for the fish out of water, Ellen Olenska. Her uniquely European take on the world shocks and offends the American aristocratic sensibility. Strangely, the American sensibility seems to be more deeply ingrained in her than any other character in the movie. The freedom and the innocence that she displays is foreign to the New Yorkers that she talks to, although among Americans of the day her thoughts and actions she would be normal. The same type of personality is brought to Europe when Daisy Miller goes the ...
... of Spain’s secret lover, the duke of Buckingham. She gave him a gift of twelve diamond tags. The cardinal finds out that the queen has given the duke of Buckingham the diamond tags, he asks the king to give a ball and demand her to wear the gift he gave her, the twelve diamond tags. Milady is ordered by the cardinal to steal 2 diamond tags, from the 12, and use it as blackmail. Immediately, the three musketeers and d’Artagnan go to London to help the queen. When d’Artagnan gets there, without the musketeers because they stayed behind fighting the cardinal’s spies, Buckingham finds out that he has lost 2 of the diamond tags. So he tells ...
... life is supervised by Aunts and guards regardless of the situation. She is taken to the bathroom, watched while she sleeps, and even though she is constantly being watched, her face cannot be seen. She wears white wings on her face so that no one can see her and the only way she can see out is by sneaking short peeks at the outside world. In both of these books, 1984 and The Handmaid’s Tale, the main characters know that the controlled lifestyle that they are living is wrong. At the beginning, they think that this is the way they have to live, and accept things the way they are. As we read further into the books, we soon realize that the characters want t ...
... young mind, showing many students the seedier side of life. What it would be like to live under such circumstances in constant fear of their lives. It deals with gang warfare, alcohol, drugs, child abuse, murder, survival and growing up. These are areas that a pubescent teenager can easily lose themselves in. It forces the reader to realise that in many cases teenagers have no choice in what lifestyles that are born into in this case either becoming the rich kid or the kid from the wrong side of the tracks. The novel has been incorporated into a Francis Ford Coppola's 1983 movie adaptation, starring many popular young actors of our time. The use of both text and m ...
... cannot even perceive her sin as being evil except through outside brainwashing. While Dimmesdale's personal interpretation as to the extremity of his own sins is a "violation of God's law," which is the law that he is totally dedicated to and supported by. Dimmesdale's interpretation of his sin is much more severe than Hester's, it is a breach and direct contradiction of his own self consciousness and physical existence. Therefore the appearance of his A, even though it is never directly described in the novel, must be raw, jagged, and brutally crooked (...a ghastly rapture; pg.95). Maybe Dimmesdale's self torture is so horrifying or inconceivable that it is ei ...
... feeling the frightfulness of Mabel and the actual contentment of Dr. Fergusson. “A Jury of Her Peers” by Susan Glaspell’s is a wonderful, suspenseful story. Minnie Wright, the character accused of murdering her husband, is brought to life by the opinions of the other characters in this story. The author to be a disheartened, lonely woman, who had changed from a flourishing singer to a desolate housewife, portrayed Minnie. Clues found throughout the house pointed every finger at Minnie, but it was never stated directly in the story. The reasoning for the lack of a frank conclusion is that by the end of the story the reader has determined the outcome. “Tak ...
