... start Cather plants the seeds of abandonment, with the finality of death, in Jim's life. When he arrives in Nebraska he is very numb to life, but he is soon caught up in daily life on his grandparents farm. He is blissfully happy when he first meets Antonia. They become great friends and share numerous adventures. Cather uses brief, beautifully descriptive and nostalgic recollections of situations and feelings to increase the pain and sadness of the separations that she places throughout the book. An excellent example of this is the way Cather builds up to Mr. Shimerda's suicide. Mrs. Cather describes Antonia's love and strong bond with her father. Antonia talk ...
... analysis. The symbolic significance of the black veil lies in the physical and mental barrier that it creates between the minister and his environment, and the guilt that it expresses. Many people believe that the face provides information about a person's underlying characteristics and, therefore, about his or her probable behavior. Thus, by wearing the veil, the minister takes away the basis on which people can predict his behavior. This is the main cause of the minister's isolation, although he is made unpredictable already by the mere act of wearing the veil. Part of the frightening effect of the veil derives from the knowledge that the person be ...
... also uses the dead pilot conveniently against the boys - the way in which he is caught in the trees just in the right position to be caught by the wind and look like the beast and the way the wind picks up after Simon has let him down from the trees and carries him out to sea, so that the other boys cannot see that it wasn't a beast. The author uses the boy's fear against them, and although this could possibly happen in the situation, Golding uses it as a weapon against them, their morale and their companionship. I think that the boys split up and go to Jack because of the fear - he can kill the beast, he can get them meat, and if they ever get upse ...
... She also represents manipulation in how she played with Pip's feelings, who has strong feelings for her eventhough he also cannot stand her. She tells Pip "Come here! You may kiss me if you like." [102]. Although the kiss may have meant a lot to Pip, it did not mean anything to Estella as she was just playing with Pip's emotions. The character of Magwitch represents the symbols of isolation and the tragic hero. In this case, he was physically isolated from society because he was a convict and was looked upon with disgust. When Magwitch confesses and apologizes to Joe for stealing the food, Joe replies "poor miserable fellow creatur." [43]. Magwitch also illu ...
... that they should die to accommodate the others who need it. Secondly, society has a negative view on Scrooge because of his attitudes and shows no feelings or compassion for Scrooge in the future. For example, the thieves are able to steal Scrooge's possessions because no body cares about Scrooge or his things. Also, the businessmen that Scrooge does business with regularly show no feelings about his death and go to his funeral simply for food. Dicken's shows a way to resolve the problem by simply treating others how you want them to treat you. At the end Scrooge's attitude changes and changes in how society will treat him are shown to be inevitable. ...
... from god to remind her of her wrong doing every moment. A symbolic way to look at it is that she was a walking, talking live sermon preaching out against sin to others. With that said, Pearl’s personality was also shown very well throughout the movie. Her exuberant disposition caused the townspeople to believe she was a “mysterious little elf”. One could tell at times she was the exact opposite of the Puritanical ways. Pearl’s taunting and malicious character sometimes caused Hester to make unwise remarks such as, “Thou art not my child! Thou art no Pearl of mine!” I have also head some say the scarlet letter “A” stood for anti-puritan. This ...
... travel around the country, searching; when he runs out, he goes into the drug business, then oil, then liquor. He clips out articles about Daisy from every newspaper he can find; he buys a huge, romantic house that he hopes will merit her approval. The parties that he throws every night in hopes that she will come become almost famous for their extravagance and the variety of people that come. A result of this is that Gatsby creates an illusion around himself, also. His past is shrouded in mystery and speculation: some favorites of the party-goers' theories on why he is so free and generous with his resources are that he once killed a man and that he was a German ...
... me to take a streetcar named Desire, and then transfer to one called Cemeteries and ride six blocks and get off at Elysian Fields" (Quirino 63). Taken literally this does not seem to add much to the story. However, if one investigates Blanche's past one can truly understand what this quotation symbolizes. Blanche left her home to join her sister, because her life was a wreck. She admits, at one point in the story, that "after the death of Allan [her husband] intimacies with strangers was all I seemed able to fill my empty heart with" (Williams 178). This “desire” is the driving force, the vehicle of her voyage. It was this desire that caused her to lose her high ...
... that is shrouded in irony, suspense and mystery. These figures must also make the audience love them, feel for them and experience the anguish and pain they will undergo. King Lear is a great example of a tragic figure. He appeals to the reader, and captures their attention. The reader ends up sympathizing for him, and wanting him to overcome the obstacles which block his path. He motivates the emotion of the audience and controls their feelings. Edna Pontellier does not have the depth of character or ability to be a tragic figure. From the opening chapters she is portrayed as a troubled woman, one who is captured within a society where she does not belong. Her ...
... a language that children instinctively feel in their hearts. All of Yolen's stories and poems are somehow rooted in her sense of family and self. With a versatility that has led her to be called "America's Hans Christian Andersen," Yolen, the child of two writers, is a gifted and natural storyteller. Perhaps the best explanation for her outstanding accomplishments comes from Jane Yolen herself: "I don't care whether the story is real or fantastical. I tell the story that needs to be told." When asked if she had any relatives who were in concentration camps during WWII and how she became interested in the holocaust, she replied, “My family--both sides--cam ...
