... between the lines, I have discovered some racism Conrad felt toward the natives that I had not discovered the first time I read the book. Racism is portrayed in Conrad's book, but one must acknowledge that back in the eighteen hundreds society conformed to it. Conrad probably would have been criticized as being soft hearted rather than a racist back in his time. Conrad constantly referred to the natives, in his book, as black savages, niggers, brutes, and "them", displaying ignorance toward the African history and racism towards the African people. Conrad wrote, "Black figures strolled out listlessly... the beaten nigger groaned somewhere" (Conrad 28). "They ...
... he saw Catherine, his true love married to his half-brother. Heathcliff in turn married Isabella, whom he did not love, for reasons unbeknownst to me, other than to tick Edgar off. He plotted revenge on his brothers, and friends in order to get both Thrushcross Grange and the story's namesake Wuthering Heights. When Heathcliff died, I imagine that he was very sad that his plan did not work out. I'm sure he would have changed his ways if he knew the outcome. Or maybe not. Maybe he would have taken great pleasure in knowing that he created a hellacious time for his victims. Maybe he would have loved knowing that people hated him. In that respect, I think ...
... The setting is more of a emotional setting than a physical setting. As I stated it takes place in South Africa, 1946. This is a time where racial discrimination is at an all time high. The black community of this land is trying to break free from the white people, but having little success. It is this so called racism that is essential to the setting of the story. Without it, the book would not have as much of an impact as it does. The story begins, as many great stories have begun, with a solitary man taking a long and dangerous journey to a distant land. The man is an Anglican Zulu priest, Rev. Stephen Kumalo, and the journey is to the white-ran Johannesbu ...
... on the island and that none of the adults survived the crash. As they approach a beach, they find an enormous conch shell. Piggy gives the conch a little toot and summons the rest of the boys on the island to the beach. The boys assemble and elect Ralph as the leader. Ralph then assigns the Choir, led by Jack, to be the hunters. Then Jack, Ralph, and Simon set out to explore the island. Near the end of their journey, they encounter a wild pig. Jack tries to kill it, but is unsuccessful. When the explorers get back, a meeting is held. The explorers explain that the island is deserted but there is enough food to keep them alive. Jack and the hunters promise to supply ...
... symbolizes fear and loneliness. The light symbolizes comfort and the company of others. There is bleakness in the dark, while the light calms the nerves. Unfortunately for the old man, this light is an artificial one, and its serenity is fleeting and deficient. Maybe the old man hides in the shadows of the leaves because he recognizes the shortcoming of his sanctuary. Perhaps he is drawn to the shadows so that the darkness of his own age will not be so visible as it would be in the full force of the electric light. His body is dark with effects of illness. Even his ears bring him a sort of shadows as they hold out the sounds of the world. The old man's deafnes ...
... that allowed him to bridge the wide canyon between the remote aristocracy and the sometimes volatile lower class. Chaucer was born into the upper middle class, a social strata that was mostly unacknowledged. The Medieval middle class was neither aristocracy nor Plebian; however, the middle class was increasingly important to medieval society and culture. As the son of a well to do wine merchant, Geoffrey Chaucer lived in close proximity with the lower classes, no doubt becoming quite familiar with the culture and attitudes of the commoners. Perhaps most vital to Chaucer’s ascension into poetic greatness evolved because of his unusual access and acceptance in ...
... safety and sense of belonging that these men seek, they turn to each other. Friends provide the safety and belonging even in times of war. People betray their country in their everyday actions, they deceive their employer, they lie to others, they cheat, and steal; but, one always thinks twice before betraying the trust of a friend. Shinji and Reiko remain loyal to what is important, their friends. Not only do Shinji and Reiko choose their friends over their country, they also find happiness in choosing each other rather than continuing in a world in which the two could not be together. This perfect union between the two illustrates something people search for every ...
... San Lorenzo. He goes there to research more for his book. On the plane he meets Newt in person, who turns out to be a midget, and the Crosbys, a married couple. John reads a book the Crosbys give him on the plane all about the religion of Bokononism and it's customs. One custom is Bokomaru, touching the souls of feet together to grow closer. He also reads of how Bokonon, the creator of Bokononism, was outlawed. When they arrive on San Lorenzo the President falls ill. Frank, who is going to marry the President's daughter, Mona, doesn't feel up to the job of being president so he asks John to do it. After a lot of convincing John says yes. He learns that the rea ...
... these meaningful pieces of literature into the novel. Salinger is able to tie these two elements together and create a reoccurring idea behind various symbols and a main theme of the progression of maturity and reality. This reality and realization that Holden must face is that he is unable to protect the innocence in the world from the cruel reality in which we live in. In Holden’s first mind of thought he thinks it should be his duty to protect the innocence. Holden tells Phoebe he would like to be “the catcher in the rye”. Holden throughout the novel always feels he has to protect innocence. When Holden thinks of the catcher in the rye he thi ...
... impressed upon her that every man she met was no good for her. The townspeople even state "when her father died, it got about that the house was all that was left to her; and in a way, people were glad being left alone. She had become humanized" (219). This sounds as if her father’s death was sort of liberation for Emily. In a way it was, she could begin to date and court men of her choice and liking. Her father couldn’t chase them off any more. But then again, did she have the know-how to do this, after all those years of her father’s past actions? It also sounds as if the townspeople thought Emily was above the law because of her high-class stature. No ...
