... of hoe Polonius’ innocent involvement with the royalty results in his death can be found at the beginning of Act III, scene iv, when Hamlet stabs him while he is hiding behind the arras in Gertude’s room. This shows how Polonius, a man unaware of the true nature of the situation he is in, is killed by a member of the royalty during the execution of one of their schemes. This makes Polonius’ death a tragedy. The next member of Polonius’ family to die is his daughter Ophelia. Ophelia’s death is tragic because of her complete innocence in the situation. Some may argue that Polonius deserves his fate because of his deceitfulness in dealing with Hamlet whi ...
... time progresses and Shakespeare shows Macbeth's initial "fear" of Banquo; but as his mind becomes engulfed in the his best friends murder he label's him as "your enemy" and making sure that he is left "no rubs nor botches in the work" Macbeth is obviously afraid of experiencing the same emotional trauma of his first murder. Although he think he is solving his problems, his damnation is ever progressing by making being indirectly involved in the murder of his one time best friend and father of a line of kings. The reader sees how ones desire for self - power can destroy himself completely. Shakespeare's diction through other characters in the play also help to ...
... to hold what she saw inside, and told Allan "I saw, I know, you disgust me…"( p.96). To Allan, Blanche seemed to be a person who accepted him for who he was in a society where homosexuals are discriminated against. What Blanche said completely devastated Allan and he found no reason to continue living. Although Blanche had no intentions of hurting Allan, enough damage was done to prompt Allan to shoot himself, his mind and body destroyed. The harsh treatment dealt by Mitch to Blanche near the end of the play is strikingly similar to Blanche's treatment of Allan Gray. Mitch is a friend of Stanley's whom Blanche falls for during her visit to New Orleans. The r ...
... when Aphrodite decides to get revenge on Hippolytus. The divine relationship between the gods is a bit different, however. Over the course of the play, Artemis does not interfere in the actions of Aphrodite, which shows that the gods, while divine, do have restrictions; in this case, it shows the gods cannot interfere with each other. The gods are sometimes evil and revengeful, though, as can be seen by what Artemis has to say about Aphrodite: "I'll wait till she loves a mortal next time, and with this hand - with these unerring arrows I'll punish him. " The relationship of mankind and the gods also needs to be discussed. This relationship seems to be a ...
... simply as a shelter or home for the cult statue and as a storehouse for offerings. This shelter consisted of a cella (back wall), a pronaos (columned porch), an opisthodomus (enclosure), an antae (bronze grills securing the porches), and a colonnade that provided shelter for visitors. The earliest monumental buildings in Greek architecture were the temples. Since these were solidly built and carefully maintained, they had to be replaced only if destroyed. The architectural orders, Doric on the mainland and Ionic in the eastern Aegean, were developed in the archaic temples, and their lasting example tended to make Greek architecture conservative toward changes ...
... that if there was a tidal wave or a hurricane it was because Poseidon was angry at them. This is the basis for my assumption that Oedipus had no control over his fate. First of all, when Oedipus is just a baby his father, King Laius of Thebes, is told in an oracle that his own son will kill him. So, with the agreement of his wife, Jocasta, the baby's feet are pinioned, and it's given to a slave who is supposed to leave it to die on Mt. Cithaeron. However, the slave feels sorry for the baby, and gives it to a fellow shepherd from Corinth. The shepherd from Corinth presented the baby to the childless King of Corinth, who is Polybus, and he brings him up as hi ...
... Hamlet grieves over the loss of his father so long and intensely that no one understands, for Gertrude and Claudius tell him he needs to move on like they have done, yet Hamlet can't understand this. His actions are reflections of his true feelings while the rest of his peers seem to be ignoring their grief. When Hamlet finds out that he is supposed to kill Claudius for his father he becomes distraught. This is because Hamlet's morals won't allow him to kill even if it releases Old Hamlet from his purgatory. He later realizes that he must start appearing differently than usual in order to carry out his father's word. Hamlet decides to put on an "antic dispositi ...
... downfall because of a tragic flaw in the character of the hero. In Greek tragedy, suffering brought knowledge of worldly matters and of the individual. Aristotle attempted to explain how an audience could observe tragic events and still have a pleasurable experience. Aristotle, by searching the works of writers of Greek tragedy, Aeschulus, Euripides and Sophocles (whose Oedipus Rex he considered the finest of all Greek tragedies), arrived at his definition of tragedy. This explanation has a profound influence for more than twenty centuries on those writing tragedies, most significantly Shakespeare. Aristotle's analysis of tragedy began with a description of ...
... killed to avoid this horrible fate. However they couldn't kill him themselves because murder of their own son would get the gods angry all over again. So they tried to get some one to take Oedipus out to the mountains and let him die of natural causes. Some people might argue that they are still indirectly responsible for the death but apparently the Greeks only considered it bad if you were directly responsible for the act of murder. The problem is that this person never left Oedipus on the mountains as he was instructed to and therefore Oedipus never died. So Iocaste and laios go on living worry free thinking that they outsmarted the gods and avoided their hor ...
... contributes to the themes authority and power in King Lear. These symbols are represented by material things. For example, in [Act 1 scene 1] when Lear is dividing up his land, power and authority to his three daughters, depending on how much they can verbally express their love for him. [Lines 52-53] "Which of you shall say doth love us most? That we our largest bounty may extend where nature doth with merit challenge." The land that each daughter received is the extent of their authority and of their power in the Kingdom. For example, the Duke of Burgundy did not wish to marry Cordelia after he found out she was getting nothing from her father. He was m ...
